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    <title>Resultados para "Computer composition"</title>
    <description>Mostrando 1 - 50 Resultados de 93</description>
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    <item>
      <title>Exploring the Self Through Algorithmic Composition.</title>
      <pubDate>Fri, 01 Jan 1999 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/5337427</link>
      <guid>https://descubridor.academia.cl/EITRecord/5337427</guid>
      <author>Alsop, Roger</author>
      <dc:format>Artículo</dc:format>
      <dc:date>1999-12-01</dc:date>
      <dc:creator>Alsop, Roger</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Change Over Time: Responsibility and Power in the Midst of Catastrophe.</title>
      <pubDate>Fri, 01 Jan 1999 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/5337426</link>
      <guid>https://descubridor.academia.cl/EITRecord/5337426</guid>
      <author>Warde, Ann</author>
      <dc:format>Artículo</dc:format>
      <dc:date>1999-12-01</dc:date>
      <dc:creator>Warde, Ann</dc:creator>
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    <item>
      <title>Improvising Machines: Spectral Dance and Token Objects.</title>
      <pubDate>Fri, 01 Jan 1999 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/5337424</link>
      <guid>https://descubridor.academia.cl/EITRecord/5337424</guid>
      <author>Schiemer, Greg</author>
      <dc:format>Artículo</dc:format>
      <dc:date>1999-12-01</dc:date>
      <dc:creator>Schiemer, Greg</dc:creator>
      <slash:comments>0</slash:comments>
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    <item>
      <title>The Aesthetics and Technological Aspects of Virtual Musical Instruments: The Case of the SuperPolm MIDI Violin.</title>
      <pubDate>Fri, 01 Jan 1999 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/5337422</link>
      <guid>https://descubridor.academia.cl/EITRecord/5337422</guid>
      <author>Goto, Suguru</author>
      <dc:format>Artículo</dc:format>
      <dc:date>1999-12-01</dc:date>
      <dc:creator>Goto, Suguru</dc:creator>
      <slash:comments>0</slash:comments>
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    <item>
      <title>CD Companion Introduction. Power and Responsibility: Converted to Streaming Between Machines.</title>
      <pubDate>Fri, 01 Jan 1999 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/5337420</link>
      <guid>https://descubridor.academia.cl/EITRecord/5337420</guid>
      <author>Van Belle, Guy</author>
      <dc:format>Artículo</dc:format>
      <dc:date>1999-12-01</dc:date>
      <dc:creator>Van Belle, Guy</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Power and Responsibility: Conversations with Contributors.</title>
      <pubDate>Fri, 01 Jan 1999 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/5337419</link>
      <guid>https://descubridor.academia.cl/EITRecord/5337419</guid>
      <author>Van Belle, Guy</author>
      <dc:format>Artículo</dc:format>
      <dc:date>1999-12-01</dc:date>
      <dc:creator>Van Belle, Guy</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Faust Music On Line: (FMOL) An Approach to Real-Time Collective Composition on the Internet.</title>
      <pubDate>Fri, 01 Jan 1999 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/5337417</link>
      <guid>https://descubridor.academia.cl/EITRecord/5337417</guid>
      <author>Jordà, Sergi</author>
      <dc:format>Artículo</dc:format>
      <dc:date>1999-12-01</dc:date>
      <dc:creator>Jordà, Sergi</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Free Enterprise: Virtual Capital and Counterfeit Music at the End of the Century.</title>
      <pubDate>Fri, 01 Jan 1999 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/5337415</link>
      <guid>https://descubridor.academia.cl/EITRecord/5337415</guid>
      <author>Trayle, Mark</author>
      <dc:format>Artículo</dc:format>
      <dc:date>1999-12-01</dc:date>
      <dc:creator>Trayle, Mark</dc:creator>
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    <item>
      <title>Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments.</title>
      <pubDate>Wed, 01 Jan 2020 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/142066977</link>
      <guid>https://descubridor.academia.cl/EITRecord/142066977</guid>
      <author>Tahıroğlu, Koray</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2020-04-01</dc:date>
      <dc:creator>Tahıroğlu, Koray</dc:creator>
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    <item>
      <title>The Intersection of ‘Live’ and ‘Real-time’.</title>
      <pubDate>Fri, 01 Jan 2016 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/116525043</link>
      <guid>https://descubridor.academia.cl/EITRecord/116525043</guid>
      <author>Hagan, Kerry L.</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2016-08-01</dc:date>
      <dc:creator>Hagan, Kerry L.</dc:creator>
      <slash:comments>0</slash:comments>
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    <item>
      <title>Paradigm Shifts and Electroacoustic Music: Some personal reflections.</title>
      <pubDate>Thu, 01 Jan 2015 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/101378955</link>
      <guid>https://descubridor.academia.cl/EITRecord/101378955</guid>
      <author>Truax, Barry</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2015-04-01</dc:date>
      <dc:creator>Truax, Barry</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>The Role of Apps in Electroacoustic Music: A new dimension for music through tablets and other devices.</title>
      <pubDate>Thu, 01 Jan 2015 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/101378954</link>
      <guid>https://descubridor.academia.cl/EITRecord/101378954</guid>
      <author>Chadabe, Joel</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2015-04-01</dc:date>
      <dc:creator>Chadabe, Joel</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Parma Manifesto.</title>
      <pubDate>Fri, 01 Jan 1999 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/5337429</link>
      <guid>https://descubridor.academia.cl/EITRecord/5337429</guid>
      <author>Rzewski, Frederic</author>
      <dc:format>Artículo</dc:format>
      <dc:date>1999-12-01</dc:date>
      <dc:creator>Rzewski, Frederic</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Which Aural Skills are Necessary for Composing, Performing and Understanding Electroacoustic Music, and to what Extent are they Teachable by Traditional Aural Training?</title>
      <pubDate>Thu, 01 Jan 2009 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/45893379</link>
      <guid>https://descubridor.academia.cl/EITRecord/45893379</guid>
      <author>TSABARY, ELDAD</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2009-12-01</dc:date>
      <dc:creator>TSABARY, ELDAD</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Globally Speaking.</title>
      <pubDate>Tue, 01 Jan 2008 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/33051659</link>
      <guid>https://descubridor.academia.cl/EITRecord/33051659</guid>
      <dc:format>Artículo</dc:format>
      <dc:date>2008-08-01</dc:date>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Aesthetics and Rhetoric.</title>
      <pubDate>Thu, 01 Jan 2004 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/15015839</link>
      <guid>https://descubridor.academia.cl/EITRecord/15015839</guid>
      <author>Gorbman, Claudia</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2004</dc:date>
      <dc:creator>Gorbman, Claudia</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Ear as Instrument.</title>
      <pubDate>Sun, 01 Jan 2012 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/83271119</link>
      <guid>https://descubridor.academia.cl/EITRecord/83271119</guid>
      <author>Haworth, Christopher</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2012-12-01</dc:date>
      <dc:creator>Haworth, Christopher</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>A theory of complexity to constrain the approximation of arbitrary sequences of timepoints.</title>
      <pubDate>Fri, 01 Jan 0094 11:29:12 -0442</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/9502015697</link>
      <guid>https://descubridor.academia.cl/EITRecord/9502015697</guid>
      <author>Nauert, Paul</author>
      <dc:format>Artículo</dc:format>
      <dc:creator>Nauert, Paul</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Organising Organised Sound: A coming of age.</title>
      <pubDate>Thu, 01 Jan 2015 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/101378946</link>
      <guid>https://descubridor.academia.cl/EITRecord/101378946</guid>
      <author>Simoni, Mary</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2015-04-01</dc:date>
      <dc:creator>Simoni, Mary</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Generative Music and Laptop Performance.</title>
      <pubDate>Wed, 01 Jan 2003 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/12407268</link>
      <guid>https://descubridor.academia.cl/EITRecord/12407268</guid>
      <author>Collins, Nick</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2003</dc:date>
      <dc:creator>Collins, Nick</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>3-minute improvisation for vocalist and sound collage.</title>
      <pubDate>Tue, 01 Jan 2008 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/31759646</link>
      <guid>https://descubridor.academia.cl/EITRecord/31759646</guid>
      <dc:format>Artículo</dc:format>
      <dc:date>2008</dc:date>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>A millennium in music.</title>
      <pubDate>Fri, 01 Jan 0010 11:29:12 -0442</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/110359374</link>
      <guid>https://descubridor.academia.cl/EITRecord/110359374</guid>
      <author>McAuliffe, Colm</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2015-10-16</dc:date>
      <dc:creator>McAuliffe, Colm</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Listening With Machines: A shared approach.</title>
      <pubDate>Thu, 01 Jan 2015 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/101378950</link>
      <guid>https://descubridor.academia.cl/EITRecord/101378950</guid>
      <author>Emmerson, Simon</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2015-04-01</dc:date>
      <dc:creator>Emmerson, Simon</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Rethinking the BEAST: Recent developments in multichannel composition at Birmingham ElectroAcoustic Sound Theatre.</title>
      <pubDate>Fri, 01 Jan 2010 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/54996433</link>
      <guid>https://descubridor.academia.cl/EITRecord/54996433</guid>
      <author>Wilson, Scott</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2010-12-01</dc:date>
      <dc:creator>Wilson, Scott</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Mimetic Space ? Unravelled.</title>
      <pubDate>Tue, 01 Jan 2008 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/33051658</link>
      <guid>https://descubridor.academia.cl/EITRecord/33051658</guid>
      <dc:format>Artículo</dc:format>
      <dc:date>2008-08-01</dc:date>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Global/Local Issues in Electroacoustic Music for the Cinema of the Real: A case study.</title>
      <pubDate>Tue, 01 Jan 2008 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/33051656</link>
      <guid>https://descubridor.academia.cl/EITRecord/33051656</guid>
      <dc:format>Artículo</dc:format>
      <dc:date>2008-08-01</dc:date>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Towards new models for the construction of interactive electroacoustic music discourse*.</title>
      <pubDate>Mon, 01 Jan 2007 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/24695818</link>
      <guid>https://descubridor.academia.cl/EITRecord/24695818</guid>
      <dc:format>Artículo</dc:format>
      <dc:date>2007-04-01</dc:date>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Reflections on sound image design in electroacoustic music.</title>
      <pubDate>Mon, 01 Jan 2007 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/24695815</link>
      <guid>https://descubridor.academia.cl/EITRecord/24695815</guid>
      <dc:format>Artículo</dc:format>
      <dc:date>2007-04-01</dc:date>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>The Mozart of Santa Cruz.</title>
      <pubDate>Tue, 01 Jan 0008 11:29:12 -0442</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/9709104156</link>
      <guid>https://descubridor.academia.cl/EITRecord/9709104156</guid>
      <dc:format>Artículo</dc:format>
      <dc:date>1997-08-30</dc:date>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>ON-LINE SUPPLEMENT.</title>
      <pubDate>Fri, 01 Jan 2010 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/55233030</link>
      <guid>https://descubridor.academia.cl/EITRecord/55233030</guid>
      <dc:format>Resumen</dc:format>
      <dc:date>2010-12-01</dc:date>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>The Algorithmic Composer (Book Review).</title>
      <pubDate>Mon, 01 Jan 2001 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/4736282</link>
      <guid>https://descubridor.academia.cl/EITRecord/4736282</guid>
      <author>Polishook, Mark</author>
      <dc:format>Book Review</dc:format>
      <dc:date>2001-06-01</dc:date>
      <dc:creator>Polishook, Mark</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>COMPUTER-GENERATED MUSIC, AUTHORSHIP, AND WORK IDENTITY.</title>
      <pubDate>Thu, 01 Jan 2015 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/112202764</link>
      <guid>https://descubridor.academia.cl/EITRecord/112202764</guid>
      <author>REICHER, Maria Elisabeth</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2015</dc:date>
      <dc:creator>REICHER, Maria Elisabeth</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Analytical Approaches to Electroacoustic Music Improvisation.</title>
      <pubDate>Sat, 01 Jan 2022 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/163161139</link>
      <guid>https://descubridor.academia.cl/EITRecord/163161139</guid>
      <author>Couprie, Pierre</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2022-08-01</dc:date>
      <dc:creator>Couprie, Pierre</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Artists' Statements.</title>
      <pubDate>Thu, 01 Jan 2009 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/36636066</link>
      <guid>https://descubridor.academia.cl/EITRecord/36636066</guid>
      <author>Taube, Heinrich</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2009</dc:date>
      <dc:creator>Taube, Heinrich</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Generative Music Editorial.</title>
      <pubDate>Thu, 01 Jan 2009 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/36636065</link>
      <guid>https://descubridor.academia.cl/EITRecord/36636065</guid>
      <author>Collins, Nick</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2009</dc:date>
      <dc:creator>Collins, Nick</dc:creator>
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    </item>
    <item>
      <title>Artificial Musical Intelligence and the Composer.</title>
      <pubDate>Mon, 01 Jan 2024 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/177618772</link>
      <guid>https://descubridor.academia.cl/EITRecord/177618772</guid>
      <author>VOLTZ, ALEXANDER</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2024-06-01</dc:date>
      <dc:creator>VOLTZ, ALEXANDER</dc:creator>
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    <item>
      <title>Methodologies for Genre Hybridisation.</title>
      <pubDate>Fri, 01 Jan 2016 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/116525041</link>
      <guid>https://descubridor.academia.cl/EITRecord/116525041</guid>
      <author>Bentall, Robert</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2016-08-01</dc:date>
      <dc:creator>Bentall, Robert</dc:creator>
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    <item>
      <title>Self-Psychological Control and Creativity of Music Creation in Multimusic Environment.</title>
      <pubDate>Mon, 01 Jan 0007 11:29:12 -0442</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/157895958</link>
      <guid>https://descubridor.academia.cl/EITRecord/157895958</guid>
      <author>Xu, Caihong</author>
      <dc:format>research</dc:format>
      <dc:format>Journal Article</dc:format>
      <dc:date>2022-07-08</dc:date>
      <dc:creator>Xu, Caihong</dc:creator>
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    <item>
      <title>Tarling Music Virtual Concert Remediation Strategies in the COVID-19 Pandemic Era.</title>
      <pubDate>Sun, 01 Jan 2023 11:29:12 -0300</pubDate>
      <link>https://descubridor.academia.cl/EITRecord/163348298</link>
      <guid>https://descubridor.academia.cl/EITRecord/163348298</guid>
      <author>Imawan, Khaerudin</author>
      <dc:format>Artículo</dc:format>
      <dc:date>2023</dc:date>
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