Alfred Hitchcock's The Rear Window: Cold War, Spatiality, and the Paranoid Subject / Beatrice Kohler.

This article investigates the notion of 'Cold War culture' by discussing Alfred Hitchcock's 1954 classic Rear Window with a particular focus on spatiality and paranoia. The cinematic screen is seen as a site where socio-cultural conflict is negotiated and political reality is transcoded into fiction...

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Publicado en:Reconstruction: Studies in Contemporary Culture Vol. 14; no. 4; pp. 1 - 2
Formato: Film/TV Criticism and Review
Publicado: Reconstruction: Studies in Contemporary Culture 2014
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Acceso en línea:Ver este registro en EBSCOhost