THEORETICAL ASPECTS ON TRAVELOGUE IN MODERN LITERATURE.

Travel texts have a long history and modern travelogues constitute a considerable part of contemporary popular fiction. Having appeared in ancient times the genre has been developing and transforming due to the life and cultural changes up to nowadays. Tim Youngs (2013) considers it to be the most s...

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Publicado en:Journal of Comparative Studies / Komparatīvistikas Almanahs no. 6; pp. 81 - 92
Autor principal: Ozola, Diāna
Formato: Artículo
Publicado: Journal of Comparative Studies / Komparativistikas Almanahs 2014
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: THEORETICAL ASPECTS ON TRAVELOGUE IN MODERN LITERATURE.
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        au: Ozola, Diāna
        affil: Daugavpils Universitātes Humanitārās fakultātes Svešvalodu centra lektore
      su:
        Travelogues (Motion pictures)
        Documentary films
        Raban, Jonathan, 1942-2023
        Terms & phrases
        Sublanguage
      sug:
        subj:
          Travelogues (Motion pictures)
          Documentary films
          Raban, Jonathan, 1942-2023
          Terms & phrases
          Sublanguage
      keyword:
        diversity
        fiction
        genre
        non-fiction
        travel blogs
        travel narrative
        travelogue
      ab: Travel texts have a long history and modern travelogues constitute a considerable part of contemporary popular fiction. Having appeared in ancient times the genre has been developing and transforming due to the life and cultural changes up to nowadays. Tim Youngs (2013) considers it to be the most socially important of all literary genres, as it records a temporal and spatial progress of any society. Its strong position today can also be explained by the processes of globalization of the world, which lead to new developments in the world travel literature. Throughout centuries travelogue has acquired new forms, changed in quality, its language has changed significantly and today there is hardly any place in the world, which has never been a subject of some travel text. Thus, its heterogeneous character also becomes quite obvious, as readers and scholars are dealing not just with various types of travelogues, but also the question of its belonging to fiction or non-fiction arises. Peter Hulme and Youngs (2002) state that, as a field of scholarly research, the critical attention to travel writing is relatively young. However, a big number of scholars and travel critics today, especially American, such as Jonathan Raban, Debbie Lisle, Mary Baine Campbell, Carl Thompson, Youngs and many others, refer to the genre of travelogue, study and analyse it, trying to distinguish some common features of travel texts and perhaps to answer the questions of whether travelogue is a literary genre and whether it is fiction or just popular scientific prose. The aim of the present article is to consider the genre of travelogue and the diversity of its forms, starting with terminological peculiarities, which appear in designating travel texts in English, Latvian, and Russian, and following with a number of arguments on its heterogeneous character.
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