'The Leeches Are the Least of the Worries': Blankscapes and Another Other in Jamaica Kincaid's Among Flowers and Biyi Bandele's The King's Rifle.

Jamaica Kincaid's botanical travelogue Among Flowers (Antigua, 2005) and Biyi Bandele's novel The King's Rifle (Nigeria, 2007) depict parts of the world-Burma and Nepal-familiarized through their shared encounter with British colonialism. Yet, these countries are also radically different from Antigu...

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Publicado en:Research in African Literatures Vol. 46; no. 1; pp. 19 - 37
Autor principal: Rastogi, Pallavi
Formato: Literary Criticism
Publicado: Indiana University Press Spring2015
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: 'The Leeches Are the Least of the Worries': Blankscapes and Another Other in Jamaica Kincaid's Among Flowers and Biyi Bandele's The King's Rifle.
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        au: Rastogi, Pallavi
        affil: Louisiana State University,
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        Colonies in literature
        Among Flowers: A Walk in the Himalaya (Book)
        King's Rifle, The (Book)
        Kincaid, Jamaica, 1946-
        Bandele, Biyi, 1967-2022
        Imperialism
        Other (Philosophy) in literature
        United Kingdom
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        subj:
          United Kingdom
          Colonies in literature
          Among Flowers: A Walk in the Himalaya (Book)
          King's Rifle, The (Book)
          Kincaid, Jamaica, 1946-
          Bandele, Biyi, 1967-2022
          Imperialism
          Other (Philosophy) in literature
      ab: Jamaica Kincaid's botanical travelogue Among Flowers (Antigua, 2005) and Biyi Bandele's novel The King's Rifle (Nigeria, 2007) depict parts of the world-Burma and Nepal-familiarized through their shared encounter with British colonialism. Yet, these countries are also radically different from Antigua and Nigeria not just because of geographic location, but also because of the myriad factors that make up the diversity of the human condition, including class, race, and ethnic difference. This essay examines how an Afro-Caribbean and an African writer from two former British colonies depict other non-white British colonies and the people who inhabit these places. It, therefore, diverges from the numerous studies done on white Europeans traveling in the non-European world or of the colonized encountering other colonized people in diasporic spaces. Representation is key here, especially how the ex-colonized depicts what I call Another Other.
      pubtype: Academic Journal
      doctype: Literary Criticism
      src: R
    language: English
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