Open Access.

The article offers the author's insights on the implementation of open access publishing for theatre and performance scholars. Topics discussed include the routes to open access such as the gold route or journal publication and green route or repositories, the copyright licences created by the non-p...

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Detalles Bibliográficos
Publicado en:Contemporary Theatre Review Vol. 25; no. 1; pp. 123 - 128
Autor principal: Barnett, David
Formato: Artículo
Publicado: Taylor & Francis Ltd Feb2015
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Open Access.
      aug:
        au: Barnett, David
        affil: University of Sussex
      su:
        Open access publishing
        Theater libraries
        Institutional repositories
        Creative Commons licenses
        Creative Commons (Organization)
        Public Library of Science
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          Open access publishing
          Theater libraries
          Institutional repositories
          Creative Commons licenses
          Creative Commons (Organization)
          Public Library of Science
      ab: The article offers the author's insights on the implementation of open access publishing for theatre and performance scholars. Topics discussed include the routes to open access such as the gold route or journal publication and green route or repositories, the copyright licences created by the non-profit organization Creative Commons which allows to copy or distribute the copyrighted work at no charge, and the Public Library of Science (Plos), a pioneer in open access science publication.
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      doctype: Article
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    language: English
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      custom: Copyright of Contemporary Theatre Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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