From Dada to the Browser: Internet Art and the Democratization of Artistic Production in the Digital Era.
"Internet artists" make use of emerging digital platforms, but also push the boundaries of technology itself. Although different factors contributed to its initial development, internet art has grown primarily through advances in interface technologies and computer programming. Yet internet art has...
| Publicado en: | International Journal of Critical Cultural Studies Vol. 12; no. 1; pp. 41 - 52 |
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| Formato: | Artículo |
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Common Ground Research Networks
Aug2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=101079859&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 101079859 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 23270055 HE4X jtl: International Journal of Critical Cultural Studies issn: 23270055 maglogo: N pubinfo: dt: Aug2014 vid: 12 iid: 1 pid: 22359 pub: Common Ground Research Networks artinfo: ui: 101079859 10.18848/2327-0055/cgp/v12i01/43744 ppf: 41 ppct: 11 formats: tig: atl: From Dada to the Browser: Internet Art and the Democratization of Artistic Production in the Digital Era. aug: au: Ryan, John affil: Edith Cowan University, Australia su: Internet art Dadaism Fluxus (Group of artists) Conceptual art Interactive art Computer programming sug: subj: Internet art Dadaism Fluxus (Group of artists) Conceptual art Interactive art Computer programming keyword: Art History Technology ab: "Internet artists" make use of emerging digital platforms, but also push the boundaries of technology itself. Although different factors contributed to its initial development, internet art has grown primarily through advances in interface technologies and computer programming. Yet internet art has not emerged in an art-historical vacuum. The influence of Dadaism, the Fluxus movement, conceptual art, participatory art, and pre-internet media-based works, such as Nam June Paik's Participation TV, are all evident in the works of contemporary internet artists. Through the "global village" of McLuhan, the "simulacra" of Baudrillard and the "relational aesthetics" of Bourriaud, I argue that the internet and related digital media have contributed to the democratization of art. While exploring the effects of emerging technologies on internet art, I also consider the technological, artistic, and social developments that have been triggered by artists across different forms of digital media. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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