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Mans mnemòniques en Y Ars demonstrativa de Ramon Llull.

This paper reviews the concept of the art of memory applied to the works of Ramon Llull through the introduction and commentary of the figures of hands with mnemonic, speculative, preaching goals. It is focused on the manuscripts of Ars demonstrativa --written in 1283-- dated between xiii and xvi ce...

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Publicado en:Scripta no. 4; pp. 247 - 261
Autor principal: ZAMORA, ANNA SERRA
Formato: Artículo
Publicado: Scripta des2014
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Mans mnemòniques en Y Ars demonstrativa de Ramon Llull.
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        au: ZAMORA, ANNA SERRA
        affil: Universität Pompeu Fabra
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      keyword:
        A and S figures
        artes praedicandi
        quaternarie iconography
        rational soul
        ànima racional
        ars memoriae
        artespraedicandi
        figures A i S
        iconografia quaternària
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        This paper reviews the concept of the art of memory applied to the works of Ramon Llull through the introduction and commentary of the figures of hands with mnemonic, speculative, preaching goals. It is focused on the manuscripts of Ars demonstrativa --written in 1283-- dated between xiii and xvi century. In the manuscripts of Venice (Bibl. Marciana, Lat. VI. 200), Bergamo (MA 365) and San Candido (B. della Collegiata, VIII C.8), the hand is linked to figure S of Ars demonstrativa. In ms &.IV6 of El Escorial, the hand represents figure A. The most relevant precedent of this hand-shaped iconography is the Guidonian hand, in the field of music, but also figures of hands used for calendar calculation or meditation.
        Aquest article recupera el concepte d'art de la memòria aplicat a les obres de Ramon Llull a partir de la presentació i el comentari de figures de mans amb finalitats mnemotècniques, especulatives i predicadores, que es troben en els manuscrits lublians de l'Ars demonstrativa --escrita el 1283-- datats del segle xiii i el xvi. En els manuscrits de Venècia (Bibl. Marciana, Lat. VI. 200), de Bèrgam (MA 365) i de San Candido (B. della Collegiata, VIII C.8), la mà està vinculada a la figura S de l'Ars demonstrativa. En el ms &.IV6 de l'Escorial, en canvi, la mà representa la figura A. El precedent més rellevant d'aquesta iconografia manual és la mà guidoniana, en l'àmbit musical, juntament amb figures de mans emprades per al càlcul del calendari o per a la meditació.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Catalan
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      custom: Copyright of Scripta is the property of Scripta and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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          year: 2014
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