'Her hair over her arms and her arms full of flowers': Love and Unknowing in Alina Marazzi's Un'ora sola ti vorrei ( For One More Hour with You) (2002).

In her first documentary film, For One More Hour with You (2002), Alina Marazzi explores ways of using cinema, and in particular carefully edited found footage, to attend to sensory presence, to girlhood, to female sexuality, to sensuality and love. Marazzi's work is sensitive to ways in which cinem...

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Detalles Bibliográficos
Publicado en:Paragraph Vol. 38; no. 1; pp. 7 - 20
Autor principal: Wilson, Emma
Formato: Artículo
Publicado: Edinburgh University Press 2015
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Acceso en línea:Ver este registro en EBSCOhost