Recollections and Reflections on Organised Sound.
In this contribution to the twentieth anniversary issue of Organised Sound, I first recall the reasons for dedicating a periodical to organised sound which I mentioned in my answer to inquiries from Cambridge University Press before the journal existed. The digital era is still in its infancy and it...
| Publicado en: | Organised Sound Vol. 20; no. 1; pp. 15 - 23 |
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| Formato: | Artículo |
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Cambridge University Press
Apr2015
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=101378943&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 101378943 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13557718 G0N jtl: Organised Sound issn: 13557718 maglogo: N pubinfo: dt: Apr2015 vid: 20 iid: 1 pid: 15979 pub: Cambridge University Press artinfo: ui: 101378943 10.1017/S1355771814000375 ppf: 15 ppct: 8 formats: tig: atl: Recollections and Reflections on Organised Sound. aug: au: Risset, Jean-Claude affil: Laboratoire de Mécanique et d’Acoustique, CNRS & Aix Marseille Université, 31 Chemin Joseph Aiguier, 13402 Marseille Cedex 20, France su: Periodicals Anniversaries Digital audio Technological innovations Musical acoustics & physics sug: subj: Periodicals Anniversaries Digital audio Technological innovations Musical acoustics & physics ab: In this contribution to the twentieth anniversary issue of Organised Sound, I first recall the reasons for dedicating a periodical to organised sound which I mentioned in my answer to inquiries from Cambridge University Press before the journal existed. The digital era is still in its infancy and it will permit a host of new ways to organise sound. I suggest in particular the development of an intimate relationship between acoustic and digital sounds; the extension of structural notations of sound and music and their exploitation for novel musical transformation; the amplification of the use of functions and combinations of functions. I evoke some issues discussed in Organised Sound, elaborating in more detail some problematic topics: analysis and reconstruction of computer music, live electronic music performance, perception of musical sound and sensory aesthetics. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2015 holdings: @attributes: islocal: N |
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