Paradigm Shifts and Electroacoustic Music: Some personal reflections.
The author reflects on the past decades with reference to predictions of several paradigm shifts offered in the 1990s, including a broad range of issues covering acoustics, psychoacoustics, the role of the composer, compositional models, environmental sound perception, soundscape composition, and th...
| Publicado en: | Organised Sound Vol. 20; no. 1; pp. 105 - 111 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Cambridge University Press
Apr2015
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=101378955&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 101378955 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13557718 G0N jtl: Organised Sound issn: 13557718 maglogo: N pubinfo: dt: Apr2015 vid: 20 iid: 1 pid: 15979 pub: Cambridge University Press artinfo: ui: 101378955 10.1017/S1355771814000491 ppf: 105 ppct: 6 formats: tig: atl: Paradigm Shifts and Electroacoustic Music: Some personal reflections. aug: au: Truax, Barry affil: School of Communication, Simon Fraser University, Burnaby, BC Canada V5A 1S6 su: Computer music Computer composition Electronic music Music appreciation Musical analysis sug: subj: Computer music Computer composition Electronic music Music appreciation Musical analysis ab: The author reflects on the past decades with reference to predictions of several paradigm shifts offered in the 1990s, including a broad range of issues covering acoustics, psychoacoustics, the role of the composer, compositional models, environmental sound perception, soundscape composition, and the integration of music and context. Contemporary developments that were not predicted, such as the proliferation of compressed audio, the rapid development of sound studies, the elimination of electroacoustic music from state-funded broadcasting, and the proliferation of mobile listening and online sound databases, are also discussed. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2015 holdings: @attributes: islocal: N |
|---|