Theories of Modernism. Politics of Time and Space.

The author explores relations between different theories of modernism. He takes into consideration: (1) general concepts and theories of modernism; (2) theories of international modernism inherent to Western twentieth-century hegemonic modernism; (3) theories of the local (national and regional West...

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Publicado en:Filozofski Vestnik Vol. 35; no. 2; pp. 103 - 121
Autor principal: Šuvaković, Miško
Formato: Artículo
Publicado: Slovenian Academy of Sciences & Arts 2014
Materias:
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        atl: Theories of Modernism. Politics of Time and Space.
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        au: Šuvaković, Miško
        affil: Faculty of Music, Belgrade
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        Modernism (Aesthetics)
        Spacetime
        History of capitalism
        Impressionism (Art movement)
        Greenberg, Clement, 1909-1994
        History of abstract expressionism
        Twentieth century
        History
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        subj:
          Modernism (Aesthetics)
          Spacetime
          History of capitalism
          Impressionism (Art movement)
          Greenberg, Clement, 1909-1994
          History of abstract expressionism
          Twentieth century
          History
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        modern
        modernism
        modernist painting
        modernistično slikarstvo
        modernizem
        moderno
        multiple modernities
        multiple modernosti
        neoavant-garde
        neoavantgarda
        project
        modernistično slikarstvo
        modernizem
        moderno
        multiple modernosti
        neoavantgarda
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        The author explores relations between different theories of modernism. He takes into consideration: (1) general concepts and theories of modernism; (2) theories of international modernism inherent to Western twentieth-century hegemonic modernism; (3) theories of the local (national and regional Western) modernism; (4) revisions of the concept of modernity in contemporary theories of globalization. These topics are considered, in a first step, via the philosophical distinction between a historical perspective (international modernism) and geographical perspective (global revision of modernism). The author then interprets aesthetic universalism and the concept of the autonomy of art characteristic of international modernism (Adorno, Greenberg, Argan). He points to the transformation of the hegemonic aesthetic universalism into national modernisms which are characteristic of local modernisms. He argues that the theories of global modernity carry out a critical discussion of Western modernism as the ideal model. This shows that universalist western modernism appears as one of many modernisms in relation to colonial/ post-colonial societies and to socialist/post-socialist societies.
        Avtor raziskuje odnose med različnimi teorijami modernizma. Prikaže (1) obče koncepte modernizma; (2) teorije mednarodnega modernizma, ki je lasten zahodnemu hegemonskemu modernizmu dvajsetega stoletja.; (3) teorije lokalnega (nacionalnega in regionalne ga zahodnega) modernizma; (4) revizije koncepta modernosti v sodobnih teorijah globalizacije. Te teme so v prvem koraku obravnavane s pomočjo filozofskega razlikovanja med zgodovinsko perspektivo (mednarodni modernizem) in zemljepisno perspektivo (globalna revizija modernizma). Avtor nato razloži estetski univerzalizem ter koncept avtonomije umetnosti, ki je značilna za mednarodni modernizem (Adorno, Greenberg, Argan). Izpostavi preoblikovanje hegemoničnega estetskega univerzalizma v nacionalne modernizme, ki so značilni za lokalne modernizme. Meni, da teorije globalne modernosti izvajajo kritično razpravo zahodnega modernizma kot idealnega modela. To kaže, da se univerzalistični zahodni modernizem pojavlja kot eden od mnogih modernizmov glede na kolonialne/postkolonialne družbe ter glede na socialistične/postsocialistične družbe.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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