The Alien Within.
Cancer is a disease for which the English language reserves some of its most sinister epithets: cancer is said to ‘devour’, ‘ruin’, ‘ravage’ and ‘deform’, and relentlessly to consume flesh with insatiable rapacity. Conceived of as an unknowable and uncontrollable force from the outside, cancer is pa...
| Published in: | European Journal of English Studies Vol. 19; no. 1; pp. 81 - 94 |
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| Format: | Article |
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Taylor & Francis Ltd
Apr2015
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=101515790&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 101515790 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13825577 EI1 jtl: European Journal of English Studies issn: 13825577 maglogo: N pubinfo: dt: Apr2015 vid: 19 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 101515790 10.1080/13825577.2015.1004921 ppf: 81 ppct: 13 formats: tig: atl: The Alien Within. aug: au: Lea, Daniel su: Cancer research Diseases Subjectivity Hitchens, Christopher, 1949-2011 Gould, Philip sug: subj: Cancer research Diseases Subjectivity Hitchens, Christopher, 1949-2011 Gould, Philip keyword: abjection animality autopathography cancer cancer subject Christopher Hitchens creature metaphor Philip Gould subjectivity Tom Lubbock ab: Cancer is a disease for which the English language reserves some of its most sinister epithets: cancer is said to ‘devour’, ‘ruin’, ‘ravage’ and ‘deform’, and relentlessly to consume flesh with insatiable rapacity. Conceived of as an unknowable and uncontrollable force from the outside, cancer is paradoxically created within the cancer subject’s own body, a body which profoundly questions the comfortable separation of the human from the animal. For many writing about their experiences of the disease, the ramifications can be multifaceted: robbed of faith in the body’s willingness to bend to regulation, objectified by economically straitened health bureaucracies, trapped in the headlights of mortality, unable to find adequate means for conveying contradictory emotional registers and disabled by others’ fear of the abject, these individuals often understand their subjectivity as inhabiting the liminal space between the human and the creaturely. This essay explores the ways in which cancer subjects represent the processes of defamiliarisation that diagnosis often initiates through three recent autobiographical accounts of men coming to terms with their incurable cancers. Philip Gould’sWhen I Die: Lessons from the Death Zone(2012), Christopher Hitchens’Mortality(2012) and Tom Lubbock’sUntil Further Notice, I Am Alive(2012) are autopathographies that give utterance to experiences of subjectivity that are increasingly compromised owing to the effects of illness and the knowledge of the irreversibility of the cancer subject’s condition. Through examining the writers’ use of creaturely metaphors to describe both the nature and the effects of their cancers, this essay argues that in an age of advanced medical intervention, the language we use to describe cancer still reveals potent anxieties about the exceptionality of the human and the proximity of the animal. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2015 holdings: @attributes: islocal: N |
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