HIPNOZĖ IR VAIZDUOTĖS IŠLAISVINIMAS.
This paper explores the hypnotic induction as related to the plastic power of creative imagination in contemporary artistic tendencies. Stemming from the concept of manipulation, present already in Mesmer's, Charcot's and Freud's accounts of hypnosis, the analysis aims to provide a few cases of alte...
| Publicado en: | Problems / Problemos Vol. 87; pp. 117 - 133 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Vilnius University
2015
|
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=101706875&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 101706875 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13921126 3D4C jtl: Problems / Problemos issn: 13921126 maglogo: N pubinfo: dt: 2015 vid: 87 pid: 16037 pub: Vilnius University artinfo: ui: 101706875 10.15388/Problemos.2015.87.5284 ppf: 117 ppct: 16 formats: fmt: @attributes: type: P size: 3.2MB tig: atl: HIPNOZĖ IR VAIZDUOTĖS IŠLAISVINIMAS. aug: au: Sabolius, Kristupas affil: Vilniaus universiteto, Filosofijos katedra, Universiteto g. 9/1, LT-01513 Vilnius sug: keyword: disensus dream hypnosis imagination wakefulness budrumas disensus disensusas dream hipnozė hypnosis imagination sapnas vaizduotė wakefulness ab: This paper explores the hypnotic induction as related to the plastic power of creative imagination in contemporary artistic tendencies. Stemming from the concept of manipulation, present already in Mesmer's, Charcot's and Freud's accounts of hypnosis, the analysis aims to provide a few cases of alternative use of a trance-inducing practices. Focusing on Raimundas Malašauskas's, Marcos Lutyens's, Catherine Contour's and Joris Lacoste's projects in conceptual art, dance, and theatre, as well as drawing parallels with theoretical tools provided by Immanuel Kant, Bernard Stiegler, Jacques Rancière and François Roustang, it discloses the emancipatory role of hypnosis. Conceived as the technique of rhythmical modulation, providing the disensus in the distribution of the sensible, artistic hypnosis could be considered, along the lines of Roustang, as "paradoxical wakefulness" and emancipated form of imagination, which allows to esape mental clichés as well as abuse of authority and manipulation. Straipsnyje analizuojamas hipnozės indukcijos fenomenas įvairiose šiuolaikinio meno srityse. Jau Franzas Antonas Mesmeris, Jean-Martinas Charcot ir Sigmundas Freudas transo būsenose įžvelgė terapijos, įtaigos ir kontrolės galimybes. Todėl hipnozė implicitiškai suvokiama kaip sąmonių manipuliavimo įrankis. Tačiau alternatyvios šiuolaikinės teorijos ir meno praktikos hipnozines būkles traktuoja kaip atsivėrimo ir išsilaisvinimo techniką. Straipsnyje pateikiamos Raimundo Malašausko, Marcoso Lutyenso, Catherine'os Contour ir Joris Lacoste'o meninės prieigos, taip pat pasitelkiamos Immanuelio Kanto, Bernardo Stieglerio, Jacques'o Rancière'o bei François Roustango teorinės paradigmos leidžia perinterpretuoti hipnozę kaip „paradoksalaus budrumo“ fenomeną, kuris sustiprina ir perskirsto žmogiškąjį juslumą bei išlaisvina radikalias vaizduotės kultivavimo formas. pubtype: Academic Journal doctype: Article src: R language: Lithuanian refInfo: copyright: @attributes: flag: Y custom: Copyright of Problems / Problemos is the property of Vilnius University and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Problems / Problemos holder: Vilnius University dt: @attributes: year: 2015 holdings: @attributes: islocal: N |
|---|