Structured Silence as a Compositional Idea in Some of Cage's Number Pieces.
This text focuses on compositional ideas in some of Cage's Number Pieces, some of which are more traditional, others more radical than a first glance would suggest. In particular the importance of silence and 'inactivity will be examined in works such as 108, One and 108, Four², and Four. Studying t...
| Publicado en: | Contemporary Music Review Vol. 33; no. 5/6; pp. 580 - 597 |
|---|---|
| Autor principal: | |
| Formato: | Essay |
| Publicado: |
Taylor & Francis Ltd
Oct-Dec2014
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=101949387&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 101949387 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Oct-Dec2014 vid: 33 iid: 5/6 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 101949387 10.1080/07494467.2014.998422 ppf: 580 ppct: 17 formats: fmt: – @attributes: type: T – @attributes: type: P size: 6.6MB tig: atl: Structured Silence as a Compositional Idea in Some of Cage's Number Pieces. aug: au: Gresser, Clemens su: Cage, John, 1912-1992 Composers Musicologists Musicians Piano sug: subj: Cage, John, 1912-1992 Composers Musicologists Musicians Piano keyword: 108 Four² Four2 Four5 Four5 John Cage Notation Number Pieces One8 and 108 One8 and 108 Performance ab: This text focuses on compositional ideas in some of Cage's Number Pieces, some of which are more traditional, others more radical than a first glance would suggest. In particular the importance of silence and 'inactivity will be examined in works such as 108, One and 108, Four², and Four. Studying the Number Pieces as a genre of structured, active 'silences' is consistent with one of Cage's intentions of his later works to stimulate performances where the audience, and environmental sounds and conditions create 'a music made by everyone'. pubtype: Academic Journal doctype: Essay src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
|---|