Historias feministas desde la lente de María Luisa Bemberg.

In this paper I explore the filmography of Maria Luisa Bemberg, argentine and feminist filmmaker. The work is divided into two parts and two targets. On one hand, considering that Maria Luisa was a founder of the Feminist Union Argentina (UFA), analyzes their works of the period in order to produce...

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Publicado en:Nomadías no. 18; pp. 19 - 42
Autor principal: Trebisacce, Catalina
Formato: Artículo
Publicado: Universidad de Chile nov2013
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Historias feministas desde la lente de María Luisa Bemberg.
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        au: Trebisacce, Catalina
        affil: Universidad de Buenos Aires
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      keyword:
        argentine feminism
        feminist film
        lesbian continuum
        the modern woman
        cine feminista
        el continuum lesbiano
        feminismo argentino
        la mujer moderna
        María Luisa Bemberg
      ab:
        In this paper I explore the filmography of Maria Luisa Bemberg, argentine and feminist filmmaker. The work is divided into two parts and two targets. On one hand, considering that Maria Luisa was a founder of the Feminist Union Argentina (UFA), analyzes their works of the period in order to produce a witness to the experiences of feminist activism in Argentina in the seventies to from the stories recreated by Maria Luisa. The second part is aimed at studying the films produced during the decades of the eighties and nineties, a period in which Maria Luisa Bemberg had left the organized feminist activism but not the commitment to make a feminist film.
        En el presente trabajo es una exploración por la filmografía de María Luisa Bemberg, cineasta argentina y feminista. El trabajo está dividido en dos partes y dos objetivos. Por un lado, considerando que María Luisa fue una de las fundadoras de la Unión Feminista Argentina (UFA), se analizan las obras del período con el fin de producir un testimonio de las experiencias de militancia feminista en Argentina en la década de los setenta a partir de los relatos recreados por María Luisa. La segunda parte está orientada a estudiar las películas producidas durante la décadas del ochenta y noventa, período en el que María Luisa Bemberg había abandonado la militancia feminista, organizada mas no la apuesta de realizar un cine feminista.
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    language: Spanish
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