Historias feministas desde la lente de María Luisa Bemberg.
In this paper I explore the filmography of Maria Luisa Bemberg, argentine and feminist filmmaker. The work is divided into two parts and two targets. On one hand, considering that Maria Luisa was a founder of the Feminist Union Argentina (UFA), analyzes their works of the period in order to produce...
| Publicado en: | Nomadías no. 18; pp. 19 - 42 |
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| Autor principal: | |
| Formato: | Artículo |
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Universidad de Chile
nov2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=102041258&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 102041258 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07172761 2ELZ jtl: Nomadías issn: 07172761 maglogo: N pubinfo: dt: nov2013 iid: 18 pid: 30789 pub: Universidad de Chile artinfo: ui: 102041258 ppf: 19 ppct: 23 formats: fmt: @attributes: type: P size: 5.3MB tig: atl: Historias feministas desde la lente de María Luisa Bemberg. aug: au: Trebisacce, Catalina affil: Universidad de Buenos Aires sug: keyword: argentine feminism feminist film lesbian continuum the modern woman cine feminista el continuum lesbiano feminismo argentino la mujer moderna María Luisa Bemberg ab: In this paper I explore the filmography of Maria Luisa Bemberg, argentine and feminist filmmaker. The work is divided into two parts and two targets. On one hand, considering that Maria Luisa was a founder of the Feminist Union Argentina (UFA), analyzes their works of the period in order to produce a witness to the experiences of feminist activism in Argentina in the seventies to from the stories recreated by Maria Luisa. The second part is aimed at studying the films produced during the decades of the eighties and nineties, a period in which Maria Luisa Bemberg had left the organized feminist activism but not the commitment to make a feminist film. En el presente trabajo es una exploración por la filmografía de María Luisa Bemberg, cineasta argentina y feminista. El trabajo está dividido en dos partes y dos objetivos. Por un lado, considerando que María Luisa fue una de las fundadoras de la Unión Feminista Argentina (UFA), se analizan las obras del período con el fin de producir un testimonio de las experiencias de militancia feminista en Argentina en la década de los setenta a partir de los relatos recreados por María Luisa. La segunda parte está orientada a estudiar las películas producidas durante la décadas del ochenta y noventa, período en el que María Luisa Bemberg había abandonado la militancia feminista, organizada mas no la apuesta de realizar un cine feminista. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Nomadías is the property of Universidad de Chile, Facultad de Filosofia y Humanidades and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Nomadías holder: Universidad de Chile, Facultad de Filosofia y Humanidades dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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