A Musicology of Performance : Theory and Method Based on Bach's Solos for Violin

This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bac...

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Detalles Bibliográficos
Autor principal: Dorottya Fabian
Formato: Libro
Publicado: Open Book Publishers 2015
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Acceso en línea:Ver este registro en EBSCOhost
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        Music--Performance--Philosophy and aesthetics
        Performance practice (Music)
        Sonatas (Violin)--18th century
        Violin--Performance
        Music--Performance
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          MUSIC / History & Criticism
          MUSIC / Genres & Styles / Classical
          MUSIC / Musical Instruments / Strings
          MUSIC / Instruction & Study / Techniques
          MUSIC / Individual Composer & Musician
          Music--Performance--Philosophy and aesthetics
          Performance practice (Music)
          Sonatas (Violin)--18th century
          Violin--Performance
          Music--Performance
      ab: This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach's Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach's opus.
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