The Post-Nonclassical Sense of Contemporary Aesthetics.
This essay provides a conceptual account of contemporary aesthetics defining it as post-nonclassical. The author shows that this aesthetics, which is the direct consequence of the current state of a technogenic, globalizing civilization and is its self-consciousness, is composed of three parts: (1)...
| Publicado en: | Russian Studies in Philosophy Vol. 53; no. 1; pp. 8 - 27 |
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| Formato: | Essay |
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Taylor & Francis Ltd
Summer2015
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=108328984&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 108328984 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 10611967 2CQ jtl: Russian Studies in Philosophy issn: 10611967 maglogo: N pubinfo: dt: Summer2015 vid: 53 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 108328984 10.1080/10611967.2015.1044379 ppf: 8 ppct: 19 formats: fmt: – @attributes: type: T – @attributes: type: P size: 98KB tig: atl: The Post-Nonclassical Sense of Contemporary Aesthetics. aug: au: Bychkov, Victor V. su: Aesthetics Philosophy Aestheticians (Philosophers) Self-consciousness (Awareness) Manners & customs Russia sug: subj: Russia Aesthetics Philosophy Aestheticians (Philosophers) Self-consciousness (Awareness) Manners & customs ab: This essay provides a conceptual account of contemporary aesthetics defining it as post-nonclassical. The author shows that this aesthetics, which is the direct consequence of the current state of a technogenic, globalizing civilization and is its self-consciousness, is composed of three parts: (1) classicaesthetic metaphysics; (2) opposed to itnonclassical aesthetics(or non-classics), which emerged on the base of a verbal fixation on twentieth-century art practice (avant-garde, modernism, postmodernism, contemporary art); and (3)aesthetic virtualistics, which generalizes the experience of emerging digital and network art experiments. The author introduces the basic aesthetic vocabulary specific to each of the constituent parts of contemporary post-nonclassical aesthetics. pubtype: Academic Journal doctype: Essay src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Russian Studies in Philosophy is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Russian Studies in Philosophy holder: Taylor & Francis Ltd dt: @attributes: year: 2015 holdings: @attributes: islocal: N |
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