Getting Out of the Black Box: analogising the use of computers in electronic music and sound art.
The process of creating computer-based music is increasingly being conceived in terms of complex chains of mediations involving composer/performer and computer software interactions that prompt us to reconsider notions of materiality within the context of digital cultures. Recent scholarship has off...
| Publicado en: | Organised Sound Vol. 20; no. 2; pp. 191 - 200 |
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| Autores principales: | , |
| Formato: | Artículo |
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Cambridge University Press
Aug2015
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| Acceso en línea: | Ver este registro en EBSCOhost |