Intervenir desde los márgenes: Mujeres y feminismos en la revista Crisis. Argentina 1973-1976.

This paper seeks to explain the process of receiving /appropiation of feminist ideas that took place in the argentinean political and cultural comlplex in the '70s. From the margins of the field and through the work of its the introducer: journalists, writers, artists, activists all, this body of id...

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Publicado en:Nomadías no. 19; pp. 105 - 129
Autor principal: Agüero, Eva Rodríguez
Formato: Artículo
Publicado: Universidad de Chile jul2015
Acceso en línea:Ver este registro en EBSCOhost
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        au: Agüero, Eva Rodríguez
        affil: Facultad de Ciencias Políticas y Sociales, UNCuyo, Argentina
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        Crisis Magazine
        Feminisms
        Field Cultural
        Years 70
        Años 70
        Campo Cultural
        Feminismos
        Revista Crisis
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        This paper seeks to explain the process of receiving /appropiation of feminist ideas that took place in the argentinean political and cultural comlplex in the '70s. From the margins of the field and through the work of its the introducer: journalists, writers, artists, activists all, this body of ideas scattered and unsystematic tried permeate the core of the issues that were at the center of debates and discussions. From the conviction that cultural magazines are a privileged viewpoint from which you can follow the ups and downs of the intellectual life of a society (Tarcus, 2007A). Wanted to read in the iconic magazine Crisis tensions between feminist ideas, struggling to be heard and those that occupied the central space of the cultural-political field (Bourdieu, 1999).
        Este trabajo busca dar cuenta del proceso de recepción/apropiación de ideas feministas que tuvo lugar en el complejo campo político-cultural de la Argentina de los años '70. Desde los márgenes de ese campo y gracias a la labor de sus introductoras: periodistas, escritoras, artistas, militantes todas, este cuerpo disperso y asistemático de ideas intentó permear el núcleo duro de los temas que ocupaban el centro de los debates y discusiones. A partir del convencimiento de que las revistas culturales son un mirador privilegiado desde el cual se puede seguir los avatares de la vida intelectual de una sociedad (Tarcus, 2007A), se busca leer en la emblemática revista Crisis las tensiones entre las ideas feministas, pugnando por ser escuchadas y aquellas otras que ocupaban el espacio central del campo político-cultural (Bourdieu, 1999).
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