White Symphonies with Red Spots: Color and the Representation of Women in Four Poems by Oscar Wilde.
Given the abundance of color terms in Oscar Wilde's poems, the number of critical studies on the intermedial allusions to painting in general or to color in particular in these poems is surprisingly small. Critics of Wilde's poems share a biographical approach as the sources of some of his poems in...
| Publicado en: | Women's Studies Vol. 32; no. 7; pp. 785 - 815 |
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| Autor principal: | |
| Formato: | Literary Criticism |
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Taylor & Francis Ltd
Dec2003
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=10911086&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 10911086 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00497878 WSS jtl: Women's Studies issn: 00497878 maglogo: Y pubinfo: dt: Dec2003 vid: 32 iid: 7 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 10911086 10.1080/00497870390221954 ppf: 785 ppct: 30 formats: fmt: – @attributes: type: T – @attributes: type: P size: 6.9MB tig: atl: White Symphonies with Red Spots: Color and the Representation of Women in Four Poems by Oscar Wilde. aug: au: Müller-Muth, Anja su: Wilde, Oscar, 1854-1900 Poets Poetry (Literary form) Whistler, James McNeill, 1834-1903 Impressionist artists 21st century (Literary period) sug: subj: Wilde, Oscar, 1854-1900 Poets Poetry (Literary form) Whistler, James McNeill, 1834-1903 Impressionist artists 21st century (Literary period) ab: Given the abundance of color terms in Oscar Wilde's poems, the number of critical studies on the intermedial allusions to painting in general or to color in particular in these poems is surprisingly small. Critics of Wilde's poems share a biographical approach as the sources of some of his poems in impressionist painting, most notably of James McNeill Whistler, is attempted to discover. Authors represent Wilde as a derivative artist and unanimously disclaim his endeavor to emulate Whistler's art and aesthetics as by far inferior to the original. pubtype: Academic Journal doctype: Literary Criticism src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Women's Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Women's Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2003 holdings: @attributes: islocal: N |
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