Jim Sheridan's The Field and the Memory of Dispossessed Irishness.

The article analyzes the film "The Field," by John B. Keane and adapted by Jim Sheridan. Topics discussed include the consideration of he film as an example of the utilization of a collective memory of dispossession for the identity of Ireland, the focus of the film on tenant farmer and patriarchal...

Descripción completa

Detalles Bibliográficos
Publicado en:Nordic Irish Studies Vol. 13; no. 1; pp. 111 - 129
Autor principal: Dodou, Katherina
Formato: Film/TV Criticism and Review
Publicado: Centre for Irish Studies in Aarhus & Dalarna University Centre for Irish Studies 2014
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=109203622&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 109203622
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        1602124X
        AWD2
      jtl: Nordic Irish Studies
      issn: 1602124X
      maglogo: N
    pubinfo:
      dt: 2014
      vid: 13
      iid: 1
      pid: 57171
      pub: Centre for Irish Studies in Aarhus & Dalarna University Centre for Irish Studies
    artinfo:
      ui: 109203622
      ppf: 111
      ppct: 18
      formats:
        fmt:
          @attributes:
            type: P
            size: 6.5MB
      tig:
        atl: Jim Sheridan's The Field and the Memory of Dispossessed Irishness.
      aug:
        au: Dodou, Katherina
      su:
        Field, The (Film)
        Keane, John B.
        Sheridan, Jim, 1949-
        Eviction
        Nationalism
        Nationalists
        Ireland
      sug:
        subj:
          Ireland
          Field, The (Film)
          Keane, John B.
          Sheridan, Jim, 1949-
          Eviction
          Nationalism
          Nationalists
      ab: The article analyzes the film "The Field," by John B. Keane and adapted by Jim Sheridan. Topics discussed include the consideration of he film as an example of the utilization of a collective memory of dispossession for the identity of Ireland, the focus of the film on tenant farmer and patriarchal figure named Bull McCabe, and the nationalist myth used in film.
      pubtype: Academic Journal
      doctype: Film/TV Criticism and Review
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Nordic Irish Studies is the property of Centre for Irish Studies in Aarhus & Dalarna University Centre for Irish Studies and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Nordic Irish Studies
      holder: Centre for Irish Studies in Aarhus & Dalarna University Centre for Irish Studies
      dt:
        @attributes:
          year: 2014
    holdings:
      @attributes:
        islocal: N