Glitch/Failure.
This article is an attempt to bring sound studies discourses into dialogue with queer theory, to "queer" the field of sound studies, and to open up queer theory to the textual canon of sonic art. Concerned with notions of failure, this article deals with glitch and examines the result when error, ma...
| Publicado en: | Leonardo Music Journal Vol. 25; no. 1; pp. 37 - 41 |
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| Formato: | Artículo |
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MIT Press
Dec2015
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=109916249&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 109916249 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2015 vid: 25 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 109916249 ppf: 37 ppct: 4 formats: fmt: @attributes: type: P size: 2.2MB tig: atl: Glitch/Failure. aug: au: BROOKS, ANDREW su: Queer theory Sound recording & reproducing Echo sounding Avant-garde music 20th century music Education sug: subj: Queer theory Sound recording & reproducing Echo sounding Avant-garde music 20th century music Education ab: This article is an attempt to bring sound studies discourses into dialogue with queer theory, to "queer" the field of sound studies, and to open up queer theory to the textual canon of sonic art. Concerned with notions of failure, this article deals with glitch and examines the result when error, malfunction and failure are amplified within systems. The author argues that the glitch, a key conceit of experimental music, is a productive framework for theorizing minoritarian politics and alternative modes of knowledge production. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2015 holdings: @attributes: islocal: N |
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