The Scottish Play: Nationalism, Masculinity, and the Georgian Afterlife of The Wonder: A Woman Keeps a Secret.

This essay argues that Susanna Centlivre's play The Wonder: A Woman Keeps a Secret (1714) uses parody to help audiences imagine British identity in broad imperial terms, beginning with the identity of George i and Prince George on the eve of the Hanoverian succession. Religious identity was fundamen...

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Publicado en:	Eighteenth Century Fiction Vol. 27; no. 3/4; pp. 451 - 479
Autor principal:	Anderson, Misty G.
Formato:	Artículo
Publicado:	University of Toronto Press Spring/Summer2015
Materias:	Centlivre, Susanna, ca. 1667-1723 Wonder: A Woman Keeps Her Secret, The (Theatrical production) Religious identity Protestantism Catholic Church
Acceso en línea:	Ver este registro en EBSCOhost