VERBA VOLANT, SCRIPTA MANENT: JACQUES'AS DERRIDA IR TIPOGRAFINĖ SEKULIARIZACIJA.
The article deals with jacques derrida's relationship with religion and faith through the perspective of orality, literacy and printing technology. deconstruction is applicable only for the printed word, so all derrida's thought depends on printing technology. According to psychosexual stages of dev...
| Publicado en: | Logos: A Journal, of Religion, Philosophy Comparative Cultural Studies & Art (08687692) no. 84; pp. 52 - 59 |
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| Formato: | Artículo |
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Logos
2015
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=110165586&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 110165586 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 08687692 8XKW jtl: Logos: A Journal, of Religion, Philosophy Comparative Cultural Studies & Art (08687692) issn: 08687692 maglogo: N pubinfo: dt: 2015 iid: 84 pid: 53094 pub: Logos artinfo: ui: 110165586 ppf: 52 ppct: 7 formats: fmt: @attributes: type: P size: 1.8MB tig: atl: VERBA VOLANT, SCRIPTA MANENT: JACQUES'AS DERRIDA IR TIPOGRAFINĖ SEKULIARIZACIJA. aug: au: VIDAUSKYTĖ, LINA affil: Kauno Technologijos universitetas sug: keyword: Latin literacy media orality printing technology religion lotynų kalba medijos oralumas raštas religija spaudos technologija ab: The article deals with jacques derrida's relationship with religion and faith through the perspective of orality, literacy and printing technology. deconstruction is applicable only for the printed word, so all derrida's thought depends on printing technology. According to psychosexual stages of development (oral, anal, phallic) which were described by Sigmund Freud, a parallel can be seen with three-communication technology - oral word, writing, and the printing press. the printed word always commands and controls, in contrast with the oral word. For a long time Learned Latin was such paradigm of control in Western Europe. One might say that Learned Latin as the language of the Father is the crucial factor of control. this paradigm of control is the framework of derrida's thought and a part of his deconstruction method. derrida discovered the philosophical potentialities of cinema at the end of his life. Ghosts appearing in the cinema (which according to Sigmund Freud is nothing else but the parents), and allowed derrida to understand his own philosophical position. In addition, the ghost, i.e. voice, can be interpreted as the return of orality. Secondary orality is the sign of contemporary audiovisual technologies. long live ghosts as derrida's “motto" expresses not only his own reconciliation with the phantasm but at the same time refers to a certain moment of secularity. under the presure of writing, religion was gradually transformed and the printing technology eventually led to the secularization. Straipsnyje interpretuojamas jacques'o derrida santykis su religija bei jo sukurto metodo dekonstrukcijos ir komunikacinių medijų sąveika. derrida postulavo romietiškumo, Romos baĚnyčios, „lotynizacijos“, kurią jis tapatino su šiuolaikinėmis komunikacinėmis medijomis, pabaigą. lotynizacija tiesiogine prasme ilgą laiką Vakarų Europos kultūroje atliko homogenizuojantį ir kartu kontroliuojantį veiksmą. Ši kalba buvo rašto ir spaudos „produktas“, o ne šnekamoji kalba. garso ir vaizdo išsiskyrimas mokyklinėje lotynų kalboje atspindi dekonstrukcijos metodo, kurio paradigminis pavyzdys yra derrida veikalas Glas, veikimą. Tipografinė lotynų kalba ir iš jos išaugęs grynas tekstualumas leidĚia kontroliuoti Ěodį. Spaudos technologija paskatina sekuliarizaciją, o sykiu ir gyvo ĚodĚio nyksmą. gyvas Ěodis visuomet Ěymėjo religinę sferą, o sykiu ir laisvą verba volant judesį. Pasitelkus S. Fruedo išskirtas vaiko raidos psichoseksualines pakopas, interpretuojamas derrida religingumas, kuris galiausiai atveria ir jo filosofinę nuostatą bei jos raidą nuo teksto prie gyvo ĚodĚio audiovizualinėje medijoje. Toks antrinio oralumo kontekste egzistuojantis santykis pasirodo ne kaip gyvumo patyrimo jausmas, bet tarpinė būtis tarp tikrovės ir netikrovės. Vietoje tikrojo religingumo išgyvenimo atsiduriama vaiduokliškoje būsenoje. pubtype: Academic Journal doctype: Article src: R language: Lithuanian refInfo: copyright: @attributes: flag: Y custom: Copyright of Logos: A Journal, of Religion, Philosophy Comparative Cultural Studies & Art (08687692) is the property of Logos and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Logos: A Journal, of Religion, Philosophy Comparative Cultural Studies & Art (08687692) holder: Logos dt: @attributes: year: 2015 holdings: @attributes: islocal: N |
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