Petal Diagrams: A New Technique for Mapping Historical Change in the Film Industry.
As the study of cinema has increasingly turned to the examination of economic ebbs and industrial flows, rather than focussing its attention solely on the critical evaluation of the films themselves, new analytic techniques and tools have been adopted (and adapted) by film scholars. Key amongst thes...
| Publicado en: | International Journal of Humanities & Arts Computing: A Journal of Digital Humanities Vol. 9; no. 2; pp. 142 - 164 |
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| Autores principales: | , , |
| Formato: | Artículo |
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Edinburgh University Press
Oct2015
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=110359882&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 110359882 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 17538548 2QD7 jtl: International Journal of Humanities & Arts Computing: A Journal of Digital Humanities issn: 17538548 maglogo: N pubinfo: dt: Oct2015 vid: 9 iid: 2 pid: 2327 pub: Edinburgh University Press artinfo: ui: 110359882 10.3366/ijhac.2015.0146 ppf: 142 ppct: 22 formats: fmt: @attributes: type: P size: 1.6MB tig: atl: Petal Diagrams: A New Technique for Mapping Historical Change in the Film Industry. aug: au: Davidson, Alwyn Verhoeven, Deb Arrowsmith, Colin su: Digital humanities Humanities research Charts, diagrams, etc. Motion picture research Motion picture industry Geographic information systems sug: subj: Digital humanities Humanities research Charts, diagrams, etc. Motion picture research Motion picture industry Geographic information systems keyword: cinematic cartography Geographic Information Systems geovisualization media geographies ab: As the study of cinema has increasingly turned to the examination of economic ebbs and industrial flows, rather than focussing its attention solely on the critical evaluation of the films themselves, new analytic techniques and tools have been adopted (and adapted) by film scholars. Key amongst these is the use of innovative visualization techniques that can assist in the understanding of the spatial and temporal features of film industry practices. However, like the cinema itself, visualization carries its own spatial and temporal dimension. This article explores some of the benefits and limitations that derive from the use of spatial visualization technologies in the field of cinema studies. In particular, this research presents a new holistic multivariate approach to spatio-temporal visualization for point based historical data. This method has been developed through extending the spatial presence in timeline graphics and through meaningful spatial classification and representation. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of International Journal of Humanities & Arts Computing: A Journal of Digital Humanities is the property of Edinburgh University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: International Journal of Humanities & Arts Computing: A Journal of Digital Humanities holder: Edinburgh University Press dt: @attributes: year: 2015 holdings: @attributes: islocal: N |
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