Slavery, Death, and the Village: Localizing Imperatives of Nigerian Writing.

This article explores the ubiquitous citations of the village and the manifestation of villagers in Nigerian fiction published since about 2000. Through a close reading of Chuma Nwokolo's Diaries of a Dead African, I argue that Nwokolo's novel exemplifies the ongoing critical regionalism in Nigerian...

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Publicado en:University of Toronto Quarterly Vol. 84; no. 4; pp. 131 - 153
Autor principal: OSINUBI, TAIWO ADETUNJI
Formato: Literary Criticism
Publicado: University of Toronto Press Fall2015
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        au: OSINUBI, TAIWO ADETUNJI
        affil: Assistant Professor, Department of English and Writing Studies, University of Western Ontario
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        Diaries of a Dead African, The (Book)
        Nwokolo, Chuma
        Literary criticism
        Nigerian literature (English)
        Villages
        Villages in literature
        Africa in literature
        Africa
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          Africa
          Diaries of a Dead African, The (Book)
          Nwokolo, Chuma
          Literary criticism
          Nigerian literature (English)
          Villages
          Villages in literature
          Africa in literature
      keyword:
        global novel
        literary marketplace
        Nigeria
        novelistic discourse
        village novel
      ab: This article explores the ubiquitous citations of the village and the manifestation of villagers in Nigerian fiction published since about 2000. Through a close reading of Chuma Nwokolo's Diaries of a Dead African, I argue that Nwokolo's novel exemplifies the ongoing critical regionalism in Nigerian writing, a practice through which writers expand the geographical imaginaries of Nigerian fiction as well as meditate reflexively upon the circulation of Nigerian fiction within the global book-publishing industry. This critical regionalism responds to the global circulation of the Nigerian novel by drawing upon, revising, and updating the geographical imaginaries of early Nigerian novelists. Elements of the village novel as a genre and ideas of the village as a crucial iteration of African spaces are deployed to signal the interplay between the complex spaces and representational practices of emerging fiction. In sum, this article works toward the legibility of the village within contemporary writing.
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