Media encoding in science fiction television: Battlestar Galactica as a site of critical cultural production.

We examine the television show Battlestar Galactica (BSG) through interviews with creative people working on the show to illustrate the production context of the show and the science fiction (sf) genre. Media scholars suggest sf stories are critical stories about our political systems and our anxiet...

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Publicado en:Media, Culture & Society Vol. 37; no. 8; pp. 1210 - 1226
Autores principales: Chow-White, Peter A., Deveau, Danielle, Adams, Philippa
Formato: Artículo
Publicado: Sage Publications, Ltd. Nov2015
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Media encoding in science fiction television: Battlestar Galactica as a site of critical cultural production.
      aug:
        au:
          Chow-White, Peter A.
          Deveau, Danielle
          Adams, Philippa
        affil:
          Simon Fraser University, Canada
          University of Waterloo, Canada
      su:
        Battlestar Galactica (TV program : 2003-2009)
        Mass media research
        Cultural production
        Social structure
        Science fiction television programs
      sug:
        subj:
          Mass media research
          Cultural production
          Social structure
          Science fiction television programs
          Battlestar Galactica (TV program : 2003-2009)
      keyword:
        Battlestar Galactica
        media encoding
        production studies
        science fiction television
        Battlestar Galactica
        media encoding
        production studies
        science fiction television
      ab: We examine the television show Battlestar Galactica (BSG) through interviews with creative people working on the show to illustrate the production context of the show and the science fiction (sf) genre. Media scholars suggest sf stories are critical stories about our political systems and our anxieties about new technologies, social change, race, gender, class, and religious conflicts. We investigate constraints and agency in the production of BSG as a site of critical cultural commentary and the politics of racial and gender representation in the series. We find that the creators behind BSG struggle with the moral and political nature of the stories they create, within the constraints of power, social structures, and a neoliberal economy and in doing so actively participate in their own acts of meaning-making in the production process.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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