IMAGE IN THE PREDIGITAL AGE THE CULTURE OF IMAGE IN THE CYBERNETIC SYSTEM.
The digital world, in conceptual meaning, is the result of art, science and technology, evolution, which began in the 19th century and continued into the late twentieth century. From painting to "home page" we have a whole production of technical images, static and moving, that constitutes the artis...
| Publicado en: | REVART: Specialized Review of Theory & Critique of Arts no. 24; pp. 53 - 61 |
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| Formato: | Artículo |
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EDITURA Eurostampa
2015
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=110927940&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 110927940 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 18411169 B8GY jtl: REVART: Specialized Review of Theory & Critique of Arts issn: 18411169 maglogo: N pubinfo: dt: 2015 iid: 24 pid: 63362 pub: EDITURA Eurostampa artinfo: ui: 110927940 ppf: 53 ppct: 8 formats: fmt: @attributes: type: P size: 2MB tig: atl: IMAGE IN THE PREDIGITAL AGE THE CULTURE OF IMAGE IN THE CYBERNETIC SYSTEM. aug: au: MORITZ, Eugen affil: Universitatea de Artă şi Design, Cluj-Napoca, P-ţa Unirii, nr. 31 su: Digital technology Art & technology Virtual reality sug: subj: Digital technology Art & technology Virtual reality keyword: Art Cybernetic image pregidital WEB ab: The digital world, in conceptual meaning, is the result of art, science and technology, evolution, which began in the 19th century and continued into the late twentieth century. From painting to "home page" we have a whole production of technical images, static and moving, that constitutes the artistic thinking in pictures, to our local and global existence. Lodged in a production of images, this image of the technical world destroy the classical forms of knowledge and representation of reality, redefining our reporting from the real world or a virtual (virtual). pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of REVART: Specialized Review of Theory & Critique of Arts is the property of EDITURA Eurostampa and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: REVART: Specialized Review of Theory & Critique of Arts holder: EDITURA Eurostampa dt: @attributes: year: 2015 holdings: @attributes: islocal: N |
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