Intern, Orderly, Artist, Corpse: Emerging Masculinities in Henri Gervex's Autopsy at Hôtel-Dieu.

Henri Gervex's large oil painting Autopsy at Hôtel-Dieu (1876) stages a medical scene in which male identities are depicted through visible signs of social, educational and class difference. Through an examination of the historical particularities and contradictions of medical and artistic manhoods,...

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Publicado en:	Oxford Art Journal Vol. 38; no. 3; pp. 407 - 427
Autor principal:	Hunter, Mary
Formato:	Artículo
Publicado:	Oxford University Press / USA Dec2015
Materias:	Gervex, Henri, 1852-1929 19th century painting Masculinity in art Medicine in art History of Paris, France 19th century medical history Nineteenth century
Acceso en línea:	Ver este registro en EBSCOhost