BROKEN VOWS AND BROKEN HOMES: THE POLITICS OF PRE-RAPHAELITISM IN FLORENCE CLAXTON'S THE CHOICE OF PARIS.
The article explores the politics of pre-Raphaelitism in "The Choice of Paris: An Idyll," an oil painting by English female artist Florence Caxton. Topics include the painting's condemnation of the Pre-Raphaelite Brotherhood in terms of the early criticism leveled against them, her representation of...
| Publicado en: | Journal of Pre-Raphaelite Studies Vol. 24; pp. 4 - 35 |
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| Formato: | Artículo |
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York University
Fall2015
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | The article explores the politics of pre-Raphaelitism in "The Choice of Paris: An Idyll," an oil painting by English female artist Florence Caxton. Topics include the painting's condemnation of the Pre-Raphaelite Brotherhood in terms of the early criticism leveled against them, her representation of the pre-Raphaelitism's acceptance by British art establishment, and the painting's claim about the fundamental disingenuousness of art criticism. |
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