Abstract Cinema and Aesthetic Utopia in the Interwar Period.

The article attempts to clarify the positioning and the status of abstract cinema of the 1920s and the 1930s within the broader category of experimental cinema, and it does so through an analysis of the artistic context in which it emerged and of its visual language. The abstract cinema, or absolute...

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Publicado en:	Caietele Echinox Vol. 29; pp. 53 - 65
Autor principal:	RUSU, CRISTIAN
Formato:	Artículo
Publicado:	Echinox Cultural Foundation 2015
Materias:	Experimental films Abstract cinematography Visual programming languages (Computer science) Iconoclasm Motion pictures
Acceso en línea:	Ver este registro en EBSCOhost