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Mad Max -- Spare-Parts Heroes, Recycled Narratives, Reused Visualities and Recuperated Histories.

The main assumption of this paper is that the mechanisms science fiction cinema uses follow three directions in order to create new representations. One is the cinema narratives that develop new worlds by simply mimicking the present day political and cultural contexts. In their critical form, these...

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Published in:Caietele Echinox Vol. 29; pp. 185 - 207
Main Author: POP, DORU
Format: Article
Published: Echinox Cultural Foundation 2015
Subjects:
Science fiction films
Motion pictures
Dystopian films
Mad Max (Film)
Postmodernism (Literature)
Online Access:View this record in EBSCOhost