Beca as Bricoleur: How Pitch Perfect Embraces the New College Composer.
The article offers the author's insights regarding the benefits offered by digital technologies on college composition focusing on the relation of college composition on the film "Pitch Perfect." The author mentions that characters of the film such as Beca Mitchell show that authentic bricolage as p...
| Publicado en: | Studies in Popular Culture Vol. 38; no. 1; pp. 139 - 157 |
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| Formato: | Artículo |
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Studies in Popular Culture
Fall2015
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=111894018&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 111894018 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 08885753 VXH jtl: Studies in Popular Culture issn: 08885753 maglogo: N pubinfo: dt: Fall2015 vid: 38 iid: 1 pid: 20184 pub: Studies in Popular Culture artinfo: ui: 111894018 ppf: 139 ppct: 18 formats: fmt: @attributes: type: P size: 7MB tig: atl: Beca as Bricoleur: How Pitch Perfect Embraces the New College Composer. aug: au: Howard, K. Shannon affil: Assistant professor of English, Auburn University Montgomery su: Digital technology Music & technology Pitch Perfect (Film) Savage Mind, The (Book) Levi-Strauss, Claude, 1908-2009 sug: subj: Digital technology Music & technology Pitch Perfect (Film) Savage Mind, The (Book) Levi-Strauss, Claude, 1908-2009 ab: The article offers the author's insights regarding the benefits offered by digital technologies on college composition focusing on the relation of college composition on the film "Pitch Perfect." The author mentions that characters of the film such as Beca Mitchell show that authentic bricolage as practice does not always present digital culture. He discusses the role of bricoleur such as Mitchell and in the book "The Savage Mind," by Claude Levi-Strauss. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Studies in Popular Culture is the property of Studies in Popular Culture and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Studies in Popular Culture holder: Studies in Popular Culture dt: @attributes: year: 2015 holdings: @attributes: islocal: N |
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