DIFFICULT ENCOUNTER: POLISH THEATRE ON THE IRISH STAGE BETWEEN 2004 AND 2015.
Ten years after Poland has joined the European Union and thousands of Poles arrived in Ireland, has Polish theatre arrived on the Irish stage? The fate of Polish theatre in Ireland has been varied, from Natalia Korczakowska's The Leash performed and awarded at the 2007 Dublin Fringe Festival, Krysti...
| Publicado en: | Litteraria Pragensia: Studies in Literature & Culture Vol. 25; no. 50; pp. 32 - 47 |
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| Formato: | Artículo |
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Charles University Prague, Faculty of Arts
2015
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=112369947&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 112369947 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 08628424 IHH jtl: Litteraria Pragensia: Studies in Literature & Culture issn: 08628424 maglogo: N pubinfo: dt: 2015 vid: 25 iid: 50 pid: 88155 pub: Charles University Prague, Faculty of Arts artinfo: ui: 112369947 ppf: 32 ppct: 15 formats: fmt: @attributes: type: P size: 5.9MB tig: atl: DIFFICULT ENCOUNTER: POLISH THEATRE ON THE IRISH STAGE BETWEEN 2004 AND 2015. aug: au: Lech, Kasia su: Theaters Korczakowska, Natalia Theater audiences Performing arts audiences Festivals European Union Poland Ireland sug: subj: Poland Ireland Theaters Korczakowska, Natalia Theater audiences Performing arts audiences Festivals European Union ab: Ten years after Poland has joined the European Union and thousands of Poles arrived in Ireland, has Polish theatre arrived on the Irish stage? The fate of Polish theatre in Ireland has been varied, from Natalia Korczakowska's The Leash performed and awarded at the 2007 Dublin Fringe Festival, Krystian Lupa's Factory 2 (Dublin Theatre Festival 2010) described by Sara Keating as a “deliberately indulgent and maddening performance" that was simply boring, to Polish Theatre Ireland's Bubble Revolution (2013) praised for performance and critiqued for lack of clarity. This essay seeks to document the last decade and investigates the reception of professional Polish productions created both in Poland and Ireland and presented in Ireland between 2004 and 2015. Choosing the most contrasting cases and taking into account quantitative data as well as reviews, awards and funding, the essay investigates the encounter of Polish theatre with Irish audiences. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Litteraria Pragensia: Studies in Literature & Culture is the property of Charles University Prague, Faculty of Arts and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Litteraria Pragensia: Studies in Literature & Culture holder: Charles University Prague, Faculty of Arts dt: @attributes: year: 2015 holdings: @attributes: islocal: N |
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