New Tools, New Value.
This essay explores the manner in which music production software, by granting to users the capacity to experience music in ways they cannot on their own, undermines the modern form of subjectivity known as individuality. It critiques Jacques Attali's prognostication of a network of musical composit...
| Published in: | Music, Sound & the Moving Image Vol. 9; no. 2; pp. 207 - 219 |
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| Format: | Essay |
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Liverpool University Press / Journals
Autumn2015
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| Online Access: | View this record in EBSCOhost |