New Tools, New Value.

This essay explores the manner in which music production software, by granting to users the capacity to experience music in ways they cannot on their own, undermines the modern form of subjectivity known as individuality. It critiques Jacques Attali's prognostication of a network of musical composit...

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Bibliographic Details
Published in:Music, Sound & the Moving Image Vol. 9; no. 2; pp. 207 - 219
Main Author: ROBERTSON, BENJAMIN J.
Format: Essay
Published: Liverpool University Press / Journals Autumn2015
Subjects:
Online Access:View this record in EBSCOhost