The textuality of diagonal ornamentation: Historical transformations of signification from the Baltic perspective.
This paper deals with textual aspects of the geometric diagonal linear ornamentation that appears on traditional woven Lithuanian bands. Taking into consideration diachronic, local as well as universal perspectives, it aims to determine and classify the basic elements of the ornament that relate to...
| Publicado en: | Sign Systems Studies Vol. 42; no. 2-3; pp. 219 - 241 |
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| Formato: | Artículo |
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University of Tartu
2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=113336567&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 113336567 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14064243 DSW jtl: Sign Systems Studies issn: 14064243 maglogo: N pubinfo: dt: 2014 vid: 42 iid: 2-3 pid: 25096 pub: University of Tartu artinfo: ui: 113336567 10.12697/SSS.2014.42.2-3.04 ppf: 219 ppct: 22 formats: fmt: @attributes: type: P size: 2.6MB tig: atl: The textuality of diagonal ornamentation: Historical transformations of signification from the Baltic perspective. aug: au: Tumėnas, Vytautas affil: Department of Ethnology, Lithuanian Institute of History, Kražių g. 5, LT-01108, Vilnius, Lithuania su: Embellishment (Music performance) Bands (Musical groups) Geometric analysis Semantics Rune singers sug: subj: Embellishment (Music performance) Bands (Musical groups) Geometric analysis Semantics Rune singers keyword: ornament cognition runic script script evolution symbolism of geometric ornament traditional Baltic textiles ab: This paper deals with textual aspects of the geometric diagonal linear ornamentation that appears on traditional woven Lithuanian bands. Taking into consideration diachronic, local as well as universal perspectives, it aims to determine and classify the basic elements of the ornament that relate to the development of textuality. Previous investigations of Baltic and Lithuanian textile ornaments have been based on a purely geometric analysis of ornamental form, or on creating linguistic inventories of folk pattern denominations. This paper describes a unique, elaborated, interdisciplinary method for studying such ornaments based on historical-typological comparative analyses, the classification of patterns with regard to their form and meaning, and the semiotic interpretation of mythopoetic images of patterns names. Further, the paper discusses whether an authentic folk classification and a tradition of typology based on the forms of patterns and names can be detected. From the traditional point of view the main meaning-carrying element of this ornamentation is the type of pattern. Therefore, reconstructions and interpretations of the semantic field of patterns' signification may be based on the mythopoetic context of folk culture. Artiklis käsitletakse Leedu traditsioonilistel ribakudumitel esineva lineaarse geomeetrilise diagonaalornamendi tekstuaalseid aspekte. Lähtudes nii diakroonilisest, kohalikust kui ka universaalsest perspektiivist püütakse määratleda ja liigitada ornamendi baaselemente, mis on seotud tekstuaalsuse arenguga. Balti ja Leedu tekstiilornamentide varasemad käsitlused põhinesid üksnes ornamentaalse vormi geomeetrilisel analüüsil või rahvalike mustrinimetuste lingvistiliste kataloogide moodustamisel. Käesolevas artiklis kirjeldatakse ornamendiuurimise ainulaadset, viimistletud ja interdistsiplinaarset meetodit, mis tugineb ajaloolis-tüpoloogilistele kõrvutavatele analüüsidele, mustrite klassifitseerimisele nende vormi ja tähendust arvestades ning mustrikujundite nimetuste semiootilisele tõlgendamisele. Lisaks vaadeldakse artiklis, kas on võimalik, et on olemas autentne rahvalik klassifikatsioon ja tüpoloogiatraditsioon, mis tugineb mustrite kujule ning nimetustele. Sellise ornamendi peamine tähendust kandev element on mustritüüp. Seega võib mustrite signifikatsiooni semantilise välja rekonstrueerimisel ja tõlgendamisel lähtuda rahvakultuuri mütopoeetilisest kontekstist. В статье рассматриваются текстуальные аспекты линеарного геометрического диаго-нального орнамента, встречающегося на традиционных литовских вязаных изделиях (поясах). Исходя из диахронической, местной и универсальной перспектив, определя-ются базовые элементы орнамента, связанные с развитием текстуальности. Предыдущие исследования текстильных орнаментов Прибалтики основывались на геометрическом анализе лишь орнаментальной формы или же на составлении лингвистических катало-гов народных названий узоров. Данная статья знакомит с уникальным, тщательно раз-работанным интердисциплинарным методом изучения орнамента, который основыва-ется на сравнительном исторически-типологическом анализе, на классификации узо-ров с учетом их формы и значения, а также на семиотической интерпретации названий конфигураций узоров. В статье обсуждаются вопросы о наличии аутентичных народ-ных классификаций и традиции типологии, основывающиеся на форме и названии узоров. Главный смыслоразличительный элемент такого орнамента - тип узора. Таким образом, при конструировании и интерпретации семантического поля сигнификации узоров можно исходить из мифопоэтического контекста народной культуры. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Sign Systems Studies is the property of University of Tartu and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Sign Systems Studies holder: University of Tartu dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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