Popular politics in 2 Henry VI: Everyday forms of resistance and hidden transcripts.
This essay aims to re-evaluate popular politics in 2 Henry VI by adopting James Scott's concepts of hidden transcripts and everyday forms of resistance as its critical methodology. Shakespearean popular politics is invested not only in the scenes punctuated by the high moment of Cade's rebellion but...
| Publicado en: | Cahiers Elisabethains: A Biannual Journal of English Renaissance Studies Vol. 89; pp. 27 - 45 |
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| Formato: | Essay |
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Sage Publications Inc.
Apr2016
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=113699422&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 113699422 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01847678 TBV jtl: Cahiers Elisabethains: A Biannual Journal of English Renaissance Studies issn: 01847678 maglogo: Y pubinfo: dt: Apr2016 vid: 89 pid: 344 pub: Sage Publications Inc. artinfo: ui: 113699422 10.1177/0184767815627761 ppf: 27 ppct: 18 formats: tig: atl: Popular politics in 2 Henry VI: Everyday forms of resistance and hidden transcripts. aug: au: Doh, In-Hwan affil: Keimyung University su: Henry VI (Theatrical production) Political theater Transcription (Linguistics) Resistance to government in literature Scott, James Theater censorship sug: subj: Henry VI (Theatrical production) Political theater Transcription (Linguistics) Resistance to government in literature Scott, James Theater censorship keyword: hidden transcripts manipulation negotiation political agency Popular politics public transcripts action politique nègociation Politique populaire transcriptions cachèes transcriptions publiques ab: This essay aims to re-evaluate popular politics in 2 Henry VI by adopting James Scott's concepts of hidden transcripts and everyday forms of resistance as its critical methodology. Shakespearean popular politics is invested not only in the scenes punctuated by the high moment of Cade's rebellion but also in the scenes which register less spectacular forms of resistance, such as the three scenes concerning petitioners, protesters and pirates. Moreover, Scott's hidden transcripts invite us to reconstruct the Cade scenes so obviously distorted by Elizabethan censorship and to look for the people's grievances concealed beneath the surface of their disfigured portraits. Cet article cherche à réévaluer la politique populaire dans 2 Henri VI en s'appuyant sur une méthodologie fondée sur les concepts de transcriptions cachées et de formes quotidiennes de résistance élaborés par James Scott. Chez Shakespeare la politique populaire est investie dans des scènes où culmine le grand moment de la révolte de Cade, ainsi que dans celles dépeignant des formes de résistance moins spectaculaires, telles que les trois scènes centrées sur des pétitionnaires, des protestataires et des pirates. La notion de transcriptions cachées invite aussi à reconstruire les scènes centrées sur Cade, assurément déformées par la censure élisabéthaine, pour y percevoir les souffrances du peuple cachées sous des portraits défigurés. pubtype: Academic Journal doctype: Essay src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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