L'Alcorano of Andrea Arrivabene. An Iconographical Framework.
L'Alcorano published by Arrivabene in 1547 has been considered a servile copy of Theodor Bibliander's edition since the sixteenth century, but this conception has changed radically due to a recent publication (Tommasino, 2013). Starting off from this publication, this essay aims to delve further int...
| Publicado en: | Church History & Religious Culture Vol. 96; no. 1/2; pp. 130 - 155 |
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| Formato: | Essay |
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Brill Academic Publishers
2016
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=113779571&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 113779571 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 1871241X 1UW2 jtl: Church History & Religious Culture issn: 1871241X maglogo: Y pubinfo: dt: 2016 vid: 96 iid: 1/2 pid: 639 pub: Brill Academic Publishers artinfo: ui: 113779571 10.1163/18712428-09601008 ppf: 130 ppct: 25 formats: fmt: @attributes: type: P size: 2MB tig: atl: L'Alcorano of Andrea Arrivabene. An Iconographical Framework. aug: au: Chicote Pompanin, Maria Teresa affil: Warburg Institute, London, uk su: L'Alcorano di Macometto: Storia di un libro del Cinquecento europeo (Book) Arrivabene, Andrea Aesthetics in the Qur'an Qur'an publishing Muhammad, Prophet, d. 632 Islamic art & symbolism Muslims Tommasino, Pier Mattia Public opinion sug: subj: L'Alcorano di Macometto: Storia di un libro del Cinquecento europeo (Book) Arrivabene, Andrea Aesthetics in the Qur'an Qur'an publishing Muhammad, Prophet, d. 632 Islamic art & symbolism Muslims Tommasino, Pier Mattia Public opinion keyword: Andrea Arrivabene Attitudes towards Islam iconography of Muhammad's life Koran in Italian L'Alcorano di Macometto sixteenth-century religious history translations of the Koran into European languages ab: L'Alcorano published by Arrivabene in 1547 has been considered a servile copy of Theodor Bibliander's edition since the sixteenth century, but this conception has changed radically due to a recent publication (Tommasino, 2013). Starting off from this publication, this essay aims to delve further into L'Alcorano suggesting that the book was an innovative product, not only because of its literary sources and translation, but also due to the presence of meaningful iconographical details in its capital letters. At the same time, an analysis of the cornice istoriata reveals its images as the very first visual representation of Muhammad's life. The paper also puts forward a hypothesis about the book's creation, considering it a joint venture involving several bookmen: Arrivabene, Comin da Trino, Bernardino Bindoni, and Bertolomeo detto Imperatore. The final section deals with the influence and material history of the book and its iconography during the centuries following its publication. pubtype: Academic Journal doctype: Essay src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Church History & Religious Culture is the property of Brill Academic Publishers and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Church History & Religious Culture holder: Brill Academic Publishers dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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