The monkey and the organ-grinder: a timeless relationship between book authors and their publishers.

This article focuses on subtle and sometimes not-so-subtle discrimination authors experience because of their enforced relationship with their publisher. Giving pertinent examples, the article asserts that this is no new phenomenon, and that the dominant publisher-over-author nexus stretches back at...

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Publicado en:Critical Arts: A South-North Journal of Cultural & Media Studies Vol. 29; no. 6; pp. 705 - 713
Autor principal: McCracken, Donal P.
Formato: Artículo
Publicado: Taylor & Francis Ltd Dec2015
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        au: McCracken, Donal P.
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        Author-publisher relations
        Contracts
        Book sales & prices
        Manuscripts
        Victorian Period, Great Britain, 1837-1901
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          Author-publisher relations
          Contracts
          Book sales & prices
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          Victorian Period, Great Britain, 1837-1901
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        authors
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        publishers
        publishing
        royalties
      ab: This article focuses on subtle and sometimes not-so-subtle discrimination authors experience because of their enforced relationship with their publisher. Giving pertinent examples, the article asserts that this is no new phenomenon, and that the dominant publisher-over-author nexus stretches back at least to the Victorian era. Six distinct problem areas are identified and discussed, the first being the invariably murky manuscript review process. This is followed by the usually one-sided (from the publisher’s point of view) disclaimers inherent in the publication contract. The frequently mendacious nature of the publication schedule is discussed, as is the habitual issue surrounding royalties and authors’ complementary copies. The ‘fairy tales’ surrounding print runs have touched upon as well as (often most exhausting for the author) the demand for additional material to broaden the appeal and thus the sales of the book.
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    language: English
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      custom: Copyright of Critical Arts: A South-North Journal of Cultural & Media Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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