Body-Building-Becomings.
This paper concerns the conceptual resonances and ‘relays’ between the two contrasting philosophical notions and operational modes of the ‘architect’ and the ‘artisan’, here explored though a feminist philosophical framework and focus on materiality and corporality. There is a particular concentrati...
| Publicado en: | Australian Feminist Studies Vol. 30; no. 86; pp. 402 - 418 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Dec2015
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=114435258&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 114435258 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 08164649 1NM jtl: Australian Feminist Studies issn: 08164649 maglogo: N pubinfo: dt: Dec2015 vid: 30 iid: 86 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 114435258 10.1080/08164649.2016.1158688 ppf: 402 ppct: 16 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.3MB tig: atl: Body-Building-Becomings. aug: au: Smith, Cathy su: Bodybuilding Do-it-yourself work Architecture Thousand Plateaus: Capitalism & Schizophrenia, A (Book) Artisans sug: subj: Bodybuilding Do-it-yourself work Architecture Thousand Plateaus: Capitalism & Schizophrenia, A (Book) Artisans ab: This paper concerns the conceptual resonances and ‘relays’ between the two contrasting philosophical notions and operational modes of the ‘architect’ and the ‘artisan’, here explored though a feminist philosophical framework and focus on materiality and corporality. There is a particular concentration on the way in which a ‘DIY’ (Do It Yourself) production methodology in architecture complicates Gilles Deleuze and Félix Guattari’s invocation of the architect-artisan binary in their collaborative textA Thousand Plateaus: Capitalism and Schizophrenia (1980). For them, the architect is a hegemonic figure whose detached operational approach differs from that of the artisan who discovers and responds to ‘real-life’ circumstances as they are directly encountered within project settings. Through reference to writings on the body and space by specific feminist philosophers, this paper draws attention to an artisanal mode of operation associated with architecture in which the body is deliberately enfolded within architectural production and consumption. An explication of my own comportment within the architectural processes of two self-initiated collaborative projects enables the relation between the two modes of operation – architectural and artisanal – to be recast within the very body of the architect herself. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Australian Feminist Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Australian Feminist Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2015 holdings: @attributes: islocal: N |
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