RESPIRACIÓN ARTIFICIAL DE RICARDO PIGLIA: UNA REFORMULACIÓN DE LA NOVELA DE ARTISTA TRAS EL FIN DE LAS UTOPÍAS.
This paper proposes a reading of Artificial respiration (1980) by Ricardo Piglia as an artist novel, according to Herbert Marcuse's definition, validated for Latin American artist novels written at the end of the nineteenth century. The most influential critical studies have focused on that period....
| Published in: | Revista Chilena de Literatura no. 92; pp. 53 - 75 |
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| Format: | Article |
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Universidad de Chile
abr2016
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=115005072&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 115005072 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00487651 2BN jtl: Revista Chilena de Literatura issn: 00487651 maglogo: N pubinfo: dt: abr2016 iid: 92 pid: 30789 pub: Universidad de Chile artinfo: ui: 115005072 10.4067/S0718-22952016000100003 ppf: 53 ppct: 22 formats: fmt: @attributes: type: P size: 4.3MB tig: atl: RESPIRACIÓN ARTIFICIAL DE RICARDO PIGLIA: UNA REFORMULACIÓN DE LA NOVELA DE ARTISTA TRAS EL FIN DE LAS UTOPÍAS. aug: au: del Yerro, Inmaculada Donaire affil: Universidad Autónoma de Madrid sug: keyword: Artificial respiration artist's novel Latin American detective fiction Latin American novel novela de artista novela hispanoamericana policial latinoamericano Respiración artificial Ricardo Piglia ab: This paper proposes a reading of Artificial respiration (1980) by Ricardo Piglia as an artist novel, according to Herbert Marcuse's definition, validated for Latin American artist novels written at the end of the nineteenth century. The most influential critical studies have focused on that period. In this paper, the representation of the writer in Artificial respiration is compared with its corresponding representation at the end of the nineteenth century. This comparison allows us to highlight, on the one hand, the survival of the artist's novel as an answer to the purpose of the literature after the end of the utopias. And on the other hand, the literary change carried out by Piglia: his reformulation of the character of the writer and also of the artist novel by employing narrative methods coming from the detective subgenre. Este estudio propone una lectura de Respiración artificial (1980), de Ricardo Piglia, desde la perspectiva del subgénero de la novela de artista, de acuerdo con la definición de Herbert Marcuse, que ha sido validada para las novelas de artista hispanoamericanas de finales del siglo XIX, en las que se centran la mayoría de los estudios críticos. La representación del escritor en Respiración artificial se compara con su representación en la narrativa de fin de siglo con un doble objetivo: poner de manifiesto el hecho de que Respiración artificial es una novela de artista propiamente dicha y asimismo mostrar la reformulación del subgénero llevada a cabo por Piglia a través de su amalgama con el policial. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Revista Chilena de Literatura is the property of Universidad de Chile, Facultad de Filosofia y Humanidades and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Revista Chilena de Literatura holder: Universidad de Chile, Facultad de Filosofia y Humanidades dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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