Virtual and Physical Interfaces for Collaborative Evolution of Sound.
Interactive evolution with genetic algorithms can be used to facilitate the rapid development of interesting sonic forms. This paper describes two rather different and innovative systems that allow multiple users to evolve sound collaboratively. The Sound Gallery was conceived as an interactive inst...
| Publicado en: | Contemporary Music Review Vol. 22; no. 3; pp. 31 - 42 |
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| Autores principales: | , |
| Formato: | Artículo |
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Taylor & Francis Ltd
2003
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=11622398&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 11622398 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2003 vid: 22 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 11622398 10.1080/0749446032000150861 ppf: 31 ppct: 11 formats: fmt: @attributes: type: P size: 1017KB tig: atl: Virtual and Physical Interfaces for Collaborative Evolution of Sound. aug: au: Woolf, Sam Yee-King, Matthew su: Sound Music Evolutionary theories Genetic algorithms FM radio receivers sug: subj: Sound Music Evolutionary theories Genetic algorithms FM radio receivers keyword: collaborative evolution evolvable hardware FM synthesis genetic algorithm physical/virtual interfac ab: Interactive evolution with genetic algorithms can be used to facilitate the rapid development of interesting sonic forms. This paper describes two rather different and innovative systems that allow multiple users to evolve sound collaboratively. The Sound Gallery was conceived as an interactive installation artwork where the movements of a group of physically present participants are tracked over time and influence the evolution of sound-modifying hardware circuits. AudioServe is a tool that allows visitors to a web-based interface to evolve sounds by mutating virtual frequency and amplitude (FM/AM) modulation circuits left on the server by previous users. The two projects eventually became linked when the physical interface system designed for the Sound Gallery was connected to an adapted version of the audio-synthesis engine built for AudioServe . The two systems are described, the techniques used to create them are explained and some of the issues involved in collaborative sound evolution are discussed. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2003 holdings: @attributes: islocal: N |
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