The Suitability of Genetic Algorithms for Musical Composition.
This article is concerned with investigating some aspects of the usefulness of using genetic algorithms (GAs) for musical composition and to highlight some of their limitations. It also demonstrates the limited amount of work done so far in examining the output of GAs used in creative applications,...
| Publicado en: | Contemporary Music Review Vol. 22; no. 3; pp. 43 - 56 |
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| Autores principales: | , |
| Formato: | Artículo |
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Taylor & Francis Ltd
2003
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=11622399&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 11622399 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2003 vid: 22 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 11622399 10.1080/0749446032000150870 ppf: 43 ppct: 13 formats: fmt: @attributes: type: P size: 858KB tig: atl: The Suitability of Genetic Algorithms for Musical Composition. aug: au: Gartland-Jones, Andrew Copley, Peter su: Music Musical composition Genetic algorithms Algorithms Musicology Historiography of music sug: subj: Music Musical composition Genetic algorithms Algorithms Musicology Historiography of music keyword: composition evolutionary musicology generative music genetic algorithms musical composition ab: This article is concerned with investigating some aspects of the usefulness of using genetic algorithms (GAs) for musical composition and to highlight some of their limitations. It also demonstrates the limited amount of work done so far in examining the output of GAs used in creative applications, rather than simply describing the architecture and functionality of such an algorithm, and the limited scope of work that has been undertaken. The article examines some approaches in musicology and composition that may help us to understand further how GAs could be applied to creative music tasks, and presents the IndagoSonus system as one possible application. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2003 holdings: @attributes: islocal: N |
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