Dismembered Voices and Acoustic Memories: Dante in Giulio Cesare Croce.
This essay aims to explore the presence of Dante’sCommediawithin the writings of the BolognesecantastorieGiulio Cesare Croce. A preliminary assessment of the hybrid social and cultural status of Croce is followed by a close reading of passages of some of his works. The echoes of Dante’s poem are con...
| Publicado en: | Italian Studies Vol. 71; no. 2; pp. 225 - 238 |
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| Autor principal: | |
| Formato: | Essay |
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Taylor & Francis Ltd
May2016
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=116265815&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 116265815 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 00751634 AYQ jtl: Italian Studies issn: 00751634 maglogo: N pubinfo: dt: May2016 vid: 71 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 116265815 10.1080/00751634.2016.1175720 ppf: 225 ppct: 13 formats: fmt: – @attributes: type: T db: hlh ui: 116265815 – @attributes: type: P db: hlh ui: 116265815 tig: atl: Dismembered Voices and Acoustic Memories: Dante in Giulio Cesare Croce. aug: au: Pegoretti, Anna affil: University of Warwick su: Croce, Giulio Cesare Dante Alighieri, 1265-1321 Divine Comedy, The (Poem : Dante) History Artistic influence Street musicians Street music 16th century Italian literature 17th century Italian literature Italian literature Literary criticism sug: subj: History Artistic influence Street musicians Street music 16th century Italian literature 17th century Italian literature Italian literature Literary criticism Divine Comedy, The (Poem : Dante) Croce, Giulio Cesare Dante Alighieri, 1265-1321 keyword: Dante Alighieri Giulio Cesare Croce street singers Dante Alighieri Giulio Cesare Croce street singers ab: This essay aims to explore the presence of Dante’sCommediawithin the writings of the BolognesecantastorieGiulio Cesare Croce. A preliminary assessment of the hybrid social and cultural status of Croce is followed by a close reading of passages of some of his works. The echoes of Dante’s poem are contextualized in the wider picture of its reception in Bologna in the second half of the sixteenth century. A further aim is to offer a preliminary enquiry into the immense, but nonetheless largely evanescent, oral transmission of theCommediathrough the specific lens of the poetic culture and production of a semi-cultivated street singer and poet. pubtype: Academic Journal doctype: Essay src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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