Recalibrating Fundamentals of Discipline and Desire Through the Automatic Music Tent.
This paper considers the role that discourses of fundamental acoustic parameters, in particular pitch and timbre, have played in the reproduction of a significantly (male) gendered digital music landscape in and beyond the UK. By revisiting a nineteenth-century debate about the definition of tone, w...
| Published in: | Contemporary Music Review Vol. 35; no. 1; pp. 71 - 85 |
|---|---|
| Main Author: | |
| Format: | Article |
| Published: |
Taylor & Francis Ltd
Feb2016
|
| Subjects: | |
| Online Access: | View this record in EBSCOhost |