Producing a World of Remains in Indian Ocean Africa: Discrepant Time, Melancholy Affect and the Subject of Transport in Capital Art Studio, Stone Town, Zanzibar.

This article reads a photographic studio and the visual archive compiled therein of the stone town of Zanzibar City. Capital Art Studio is analysed as negotiating the fraught interface between the Indian Ocean world and continental Africa in both the 1950s and again after the revolution in nationali...

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Publicado en:African Studies Vol. 75; no. 2; pp. 233 - 257
Autor principal: Samuelson, Meg
Formato: Artículo
Publicado: Taylor & Francis Ltd Aug2016
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Acceso en línea:Ver este registro en EBSCOhost