Fuego en Castilla (1957-60): el cine espectral de José Val del Omar.
Fuego en Castilla (1957-60) by José Val del Omar experiments with iconic images of Spanish imperial culture. I argue that the Spanish Baroque imagery in this short documentary film serves as a spectral remainder of two of the most important official discourses of the time: the imperial Catholic disc...
| Publicado en: | Revista de Estudios Hispánicos Vol. 50; no. 2; pp. 485 - 508 |
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| Autor principal: | |
| Formato: | Film/TV Criticism and Review |
| Publicado: |
Washington University
jun2016
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=117384199&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 117384199 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 0034818X 2BR jtl: Revista de Estudios Hispánicos issn: 0034818X maglogo: N pubinfo: dt: jun2016 vid: 50 iid: 2 pid: 11468 pub: Washington University artinfo: ui: 117384199 10.1353/rvs.2016.0027 ppf: 485 ppct: 23 formats: fmt: @attributes: type: P size: 8.8MB tig: atl: Fuego en Castilla (1957-60): el cine espectral de José Val del Omar. aug: au: GOICOECHEA, ELIXABETE ANSA affil: PONTIFICIA UNIVERSIDAD CATÓLICA DE CHILE su: Fuego en Castilla (Film) Val del Omar, José Culture in motion pictures Documentary film history Catholic Church in motion pictures Francoism Capitalism in motion pictures sug: subj: Fuego en Castilla (Film) Val del Omar, José Culture in motion pictures Documentary film history Catholic Church in motion pictures Francoism Capitalism in motion pictures keyword: Avantgarde Film Spanish Baroque Spectrality Barroco Español cine de vanguardia espectralidad José Val del Omar ab: Fuego en Castilla (1957-60) by José Val del Omar experiments with iconic images of Spanish imperial culture. I argue that the Spanish Baroque imagery in this short documentary film serves as a spectral remainder of two of the most important official discourses of the time: the imperial Catholic discourse of Franco's regime and the emerging modernizing discourse of capitalism. This argument enters into dialogue with Jacques Derridas concept of spectrality and Gilíes Deleuze's notion of movement-image. I position Val del Omar's film in contrast with the regimes official ideology regarding cinema in general, and documentary film in particular. pubtype: Academic Journal doctype: Film/TV Criticism and Review src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Revista de Estudios Hispánicos is the property of Washington University and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Revista de Estudios Hispánicos holder: Washington University dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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