MARÍA ROSA GÁLVEZ DE CABRERA, LA FAMILIA A LA MODA (1805), AND THE MULTIPLE ANXIETIES OF LATE NINETEENTH-CENTURY SPAIN.

María Rosa Gálvez de Cabrera's ground-breaking comedy from 1805, La familia a la moda, grapples with and anticipates a whole range of issues that played out during the rest of the Spanish nineteenth century. Anxiety about gender, power, the economy (the role of money, concerns about gambling), the r...

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Publicado en:Anales de la Literatura Española Contemporánea Vol. 41; no. 4; pp. 149 - 173
Autor principal: GIES, DAVID T.
Formato: Literary Criticism
Publicado: Temple University 2016 Special Issue
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Acceso en línea:Ver este registro en EBSCOhost
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        La familia a la moda (Book)
        Spanish drama (Comedy)
        Gálvez de Cabrera, María Rosa
        Social conditions of women
        History of women's rights
        Feminism
        Feminism in literature
        Nineteenth century
        Drama criticism
        Spain
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        subj:
          Spain
          La familia a la moda (Book)
          Spanish drama (Comedy)
          Gálvez de Cabrera, María Rosa
          Social conditions of women
          History of women's rights
          Feminism
          Feminism in literature
          Nineteenth century
          Drama criticism
      keyword:
        Antonio Gil y Zárate
        class differences
        economy
        gender
        Joaquina García Balmaseda
        La familia a la moda
        Maria Rosa Galvez
        nationalism
        Rosario de Acuña
        Stock Market
        Bolsa de valores
        diferencias de clase
        economía
        género
        María Rosa Gálvez
        nacionalismo
        Palabras clave
      ab:
        María Rosa Gálvez de Cabrera's ground-breaking comedy from 1805, La familia a la moda, grapples with and anticipates a whole range of issues that played out during the rest of the Spanish nineteenth century. Anxiety about gender, power, the economy (the role of money, concerns about gambling), the role of education, the importance of class differences, and the rise of nationalism (Spain vs. France, predominantly) captured much of intellectual debate (and literature) of that century. This article studies these concerns in Gálvez's play, and then traces the incorporation of similar themes in works by Antonio Gil y Zarate, Joaquina García Balmaseda, Rosario de Acuña, and others.
        La familia a la moda (1805), la importante comedia de María Rosa de Gálvez, combate y anticipa una amplia gama de temas repetida durante el resto del siglo diecinueve español. Las ansiedades sobre el género, el poder, la economía (el papel de dinero, las preocupaciones respecto al juego), así como la función de la educación, las diferencias entre las clases sociales y la intensificación del nacionalismo (predominantemente, la tensión entre España y Francia) dominan el debate intelectual (y literario) de dicho siglo. Este artículo estudia estas inquietudes en la comedia de Gálvez, y luego traza la incorporación de temas similares en obras de, entre otros, Antonio Gil y Zárate, Joaquina García Balmaseda y Rosario de Acuña.
      pubtype: Periodical
      doctype: Literary Criticism
      src: R
    language: English
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