The aesthetics of astonishment and contemplation in the early British scenic film.
The field of early cinema has been strongly influenced by Tom Gunning and André Gaudreault's 'cinema of attractions' model, where films produced before approximately 1906 were valued primarily because of their ability to put a view on display rather than as a vehicle for storytelling. This model of...
| Published in: | Early Popular Visual Culture Vol. 14; no. 3; pp. 251 - 267 |
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| Format: | Article |
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Taylor & Francis Ltd
Aug2016
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| Online Access: | View this record in EBSCOhost |