Un dannunzista tra due ‘Indici’. Guido da Verona, il Sant’Uffizio e la censura di regime.

The works of Guido da Verona were proscribed in the Index of Prohibited Books in 1920, thus receiving unexpected publicity from the Vatican’s ban. In 1930, on the contrary, the controversies which followed the publication of the irreverent parody of Alessandro Manzoni’sI promessi sposi marked the ra...

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Publicado en:Italian Studies Vol. 71; no. 3; pp. 356 - 384
Autor principal: Brera, Matteo
Formato: Essay
Publicado: Taylor & Francis Ltd Aug2016
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Acceso en línea:Ver este registro en EBSCOhost
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      aug:
        au: Brera, Matteo
        affil: Utrecht University
      su:
        Verona, Guido da, 1881-1939
        Pius XI, Pope, 1857-1939
        Mussolini, Benito, 1883-1945
        Censorship
        Politics & literature
        History of banned books
        Canon (Literature)
        Fascism in Italy
        Twentieth century
        History of fascism
      sug:
        subj:
          Censorship
          Politics & literature
          History of banned books
          Canon (Literature)
          Fascism in Italy
          Twentieth century
          History of fascism
          Verona, Guido da, 1881-1939
          Pius XI, Pope, 1857-1939
          Mussolini, Benito, 1883-1945
      keyword:
        Benito Mussolini
        Guido da Verona
        Index of Prohibited Books
        Italian Fascism
        Italian literary canon
        Pius XI
        Vatican Censorship
        Benito Mussolini
        Guido da Verona
        Index of Prohibited Books
        Italian Fascism
        Italian literary canon
        Pius XI
        Vatican Censorship
      ab: The works of Guido da Verona were proscribed in the Index of Prohibited Books in 1920, thus receiving unexpected publicity from the Vatican’s ban. In 1930, on the contrary, the controversies which followed the publication of the irreverent parody of Alessandro Manzoni’sI promessi sposi marked the rapid decline of Da Verona’s career. This essay discusses Guido da Verona’s struggle with both ecclesiastical and fascist censorship, thus highlighting the effects of book forbiddance on the Italian literary canon of the early twentieth century and of its impact on the definition of an Italian national literature. Finally, the article reflects on the central role played by book censorship in the context of the tense political relationship between Pius XI and Mussolini in the wake of the Concordat of 1929.
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      doctype: Essay
      src: R
    language: Italian
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